I promise this is my last Michael Jackson post. I watched the memorial. I thought moments of it were beautiful and touching and that other moments were a little much. I’d like to share my favorite moment from the whole she-bang. Stevie Wonder not only still has it, but seems to have gotten better with age. This is just an amazing tribute and ranks up there for me with Candle in the Wind as far as tribute songs go. I’ll stop blabbing. Please enjoy the sheer brilliance of an insanely talented man mourning his friend.
Archive for the ‘Great Performances’ Category
I never dreamed you’d leave in Summer…
Wednesday, July 8th, 2009Cast of HAIR pays tribute to Michael Jackson
Friday, June 26th, 2009IN TRIBUTE
Thursday, June 25th, 2009Gotta make a change
For once in my life
It’s gonna feel real good
Gonna make a difference
Gonna make it right
As I turned up the collar on
A favorite winter coat
This wind is blowin’ my mind
I see the kids in the street
With not enough to eat
Who am I to be blind
Pretending not to see their needs
A summer’s disregard
A broken bottle top
And a one man’s soul
They follow each other
On the wind ya’ know
‘Cause they got nowhere to go
That’s why I want you to know
I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make a change, yey
Na na na, na na na, na na na na oh ho
I’ve been a victim of
A selfish kinda love
It’s time that I realize
There are some with no home
Not a nickel to loan
Could it be really pretending that they’re not alone
A willow deeply scarred
Somebody’s broken heart
And a washed out dream
(Washed out dream)
They follow the pattern of the wind ya’ see
‘Cause they got no place to be
That’s why I’m starting with me
I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make a change
I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make that change
Amazing Performance
Monday, June 22nd, 2009Last Year’s Jeff Winner
Tuesday, June 9th, 2009Well I went, I saw, I had a blast. I was definitely sitting at the right table. Theo Ubique took 7 jeffs last night. 6 of them were for Evita. It was a very positive and energetic event to be at, and I would like to extend my congratulations to all the winners! You can see the entire list of winners HERE
Tomorrow I’ll post pictures. I don’t have all of them yet. Today I’ve decided to post some highlights of last year’s Non-Equity Jeff winner, Jerry Springer: the Opera. You can thank Jeremy Rill for uploading them recently!
P.S. If you want to see me whoring it up check out the video called “Dwight” and to a lesser extent the video called “Chick with a Dick.” Oh yeah, you’re in for some fun. I bequeath them to you! (This is from the last performance of our extension.)
WARNING! IF FOUL LANGUAGE OFFENDS YOU FOR THE LOVE OF GOD DO NOT WATCH THESE CLIPS!!!!
Some thoughts on the Tonys/Non-Equity Jeffs
Monday, June 8th, 2009I admit it. I didn’t really watch the Tonys this year. I decided that cleaning my apartment was more important and for some reason didn’t put it on in the background. I did, however, watch most of it on youtube clips. I don’t really know what to say. That’s not MY Broadway. That isn’t the Broadway that I grew up dreaming about and aspiring to achieve one day. I understand that the producers of the show are trying to get a more diverse audience than just us theater nerds, but does it HAVE to remind me of an MTV awards show? There is a reason I stopped watching MTV. Because it’s crap. Because there is no substance.
Maybe I’m just getting older, or jaded, or my taste is changing, but I don’t think we need to dumb it down that much for America. Every once in a while America surprises us and reminds us that she isn’t that stupid. She can comprehend more then we give her credit for. That’s when great art is made. Truly great art is never following a trend. It always surprises us.
In this day and age with commercial theater becoming more and more like a concert and less and less like theater, I feel grateful for Chicago theater. After watching the performance of Hair last night, I feel grateful for the small production I saw by the now defunct Tonkawa Theater Company. It didn’t have the budget, cast size, or publicity of the production of Hair now performing on Broadway. What it DID have was authenticity, honesty, and simplicity. It was one of the most moving experiences I’ve had in theater and it was in a black box space.
Tonkawa’s production of Hair
In reality, the shows that have moved me the most have been in small storefront non-equity theaters in Chicago…like the Jeff-nominated Evita for example. I’ve seen Evita on a big stage with a big budget a couple of times and it doesn’t hold a candle to the intimate, bare-bones telling that director Fred Anzevino crafted for us this summer. Or going back a few years, the PHENOMENAL production of Mother Courage that the Vitalist Theatre put up which remains one of the best pieces of art I’ve EVER seen.
The ridiculously talented Anne Sheridan Smith in Vitalist Theatre’s Mother Courage.
Don’t get me wrong, there are definitely Equity shows I have enjoyed and that have moved me. I also plan to go Equity eventually and the CONS of being a non-equity actor could fill hundreds of blogs. Tonight however, is not about that. The Non-Equity Jeff Awards are about celebrating our non-equity efforts. Tonight is about the actors that work a full-time job and then go straight to rehearsal where they’re getting paid little to nothing. Why do they do this? Because they LOVE it. Tonight is about our love for what we do.
While we may agree or disagree with nominations and results, in the end it doesn’t really matter. This is our night to celebrate each other. Also, while the Non-Equity Jeffs might be low on the totem pole of award shows, we are the future of theater, and the future has never looked brighter. See you at the Jeffs!
I’ll let Chris Jones prove my point:
“The Joseph Jefferson Awards, non-Equity dept., will be handed out tonight at the Park West nighterie.
A very different part of the theatrical food-chain from last night’s Tony Awards? Perhaps.
Don’t look for Liza or Neil Patrick Harris.
But consider this. One of the shows up for tonight’s awards, David Cromer’s The Hypocrites production of “Our Town,” is not only now a huge Off-Broadway hit, but is a candidate for a Broadway transfer. And so, perchance, it could go from one ceremony to the other within twelve swift months.
So there’s one way to look at the Non-Equity Jeffs. The Tonys. A few years earlier.”
The Best Acceptance Speech EVER
Thursday, May 28th, 2009I just wanna dance!
Sunday, May 24th, 2009I was on Paul Russell’s Answers for Actors blog today and he had posted this bit of fun.
It’s a dance mix of “I Just Wanna Fuckin’ Dance” from Jerry Springer: the Opera (sung by Alison Jiear)! This song has a special place in my heart since I was lucky enough to be part of the American Premiere of this amazing musical. The memories and stories from that time could fill a book, but I’ll just say if any of you are reading this that I am thinking about you today. I love you all and was so glad to share that experience with you!

Director David Zak, Choreographer Brenda Didier, and SOME of the huge cast of Jerry Springer: the Opera at the non-equity jeff awards after winning Best Musical.
Me and the INSANELY talented Ryan Lanning trying to out-skank each other.
EVITA, EVIIIIIIIIITA!
Friday, May 1st, 2009If you know me at all you’ve probably heard me rave about Theo Ubique Theatre Co.’s work, specifically Fred Anzevino: the director of most shows and the Artistic Director of the company. Theo Ubique is housed in the tiny No Exit Cafe in Roger’s Park. Their shows are minimal, but incredibly rich. Fred never puts more on stage then what NEEDS to be there to tell the story.
Their current critically-acclaimed show, Andrew Lloyd Webber’s Evita, just garnered 7 jeff nominations and starts it’s theatrical extension this weekend!
Maggie Portman acts the living crap out of the title role. She is phenomenal, both glamorous and earthy at the same time.
(Yes I DID just say the living crap.)
Chris Damiano is fantastic as the revolutionary Che Guevara. His voice is gorgeous and he certainly has charm to spare. This guy is oozing with talent.
Jeremy Trager plays Juan Peron with such enviable strength, but it was his lovely and nuanced tender moments that kept me riveted.
Additionally, Michael Wheelwright is hilarious and spot on as Augustin Magaldi and you can’t take your eyes off of Jenny Lamb, whether she’s carrying a prop onstage or delivering the heart-wrenching “Another Suitcase in Another Hall” as the Mistress.
Fred’s direction is superb, the choreography (Brenda Didier!) is genius, and the music sounds sensational. The other 5 ensemble members play everything from soldiers to aristocrats. They are outstanding and their voices are so full that you don’t miss the huge chorus that this show usually employs.
Have I convinced you yet? Can I stop gushing now?
Go see it!

Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Directed by Fred Anzevino
Music Direction by Ryan Brewster
Choreography by Brenda Didier
Costumes by Jill Van Brussel
Set Design by Nate Crawford
Light Design by David Heimann
EXTENSION: Performances run May 1 through May 31, 2009 - Friday through Saturdays at 8:00 pm, and Sundays at 7:00 pm. Each ticket is $30 (Does not include dinner or beverages)
DINNER PACKAGE: Pre-Show dinner of Argentine cuisine available and recommended for the full theater experience. Total price of each ticket is $54 (Includes service charge, dinner, tax, and show, but not beverages)
GET TICKETS ONLINE: http://www.theoubique.org/index.html
BOX OFFICE: 773.347.1109
Non-Equity Jeff Nominations
Tuesday, April 28th, 2009CONGRATS TO ALL MY INSANELY TALENTED FRIENDS!!!
Published: Today
The Jeff Awards committee today announced 114 nominations in 24 categories for the non-Equity Jeff Awards. The awards honor excellence in Chicago’s non-union theaters for productions that opened between April 1, 2008, and March 31, 2009.
The Jeff Awards judged the opening nights of 130 productions offered by 57 non-Equity producing organizations and recommended 54 of them as eligible for Non-Equity Jeff Award nominations in all categories.
Top-nominated productions include Theo Ubique’s “Evita,” Lifeline Theatre’s world premiere adaptation of “Mariette in Ecstasy” and the House Theatre of Chicago’s “Rose and the Rime.”
The awards will be presented June 9 at a ceremony at the Park West, 322 W. Armitage. Tickets, $35 in advance, $40 at the door, include a cash bar and light buffet. Purchase tickets online at www.jeffawards.org. For more information, e-mail: nonequitywing@jeffawards.org.
Here is the complete list of this season’s nominees:
PRODUCTION — PLAY
“Enchanted April,” Circle Theatre
“In Arabia We’d All Be Kings,” Steep Theatre Company
“Mariette in Ecstasy,” Lifeline Theatre
“The Mark of Zorro,” Lifeline Theatre
“Our Town,” the Hypocrites
“Rose and the Rime,” House Theatre of Chicago
PRODUCTION — MUSICAL OR REVUE
“The Christmas Schooner,” Bailiwick Repertory Theatre
“Evita,” Theo Ubique Theatre Company in association with Michael James
“Jacques Brel’s Lonesome Losers of the Night,” Theo Ubique Theatre Company in association with Michael James
“The Robber Bridegroom,” Griffin Theatre Company
“Woody Guthrie’s American Song,” Blindfaith Theatre
DIRECTOR — PLAY
Nathan Allen, “Rose and the Rime” (House Theatre of Chicago)
David Cromer, “Our Town” (the Hypocrites)
Elise Kauzlaric, “Mariette in Ecstasy” (Lifeline Theatre)
Joanie Schultz , “In Arabia We’d All Be Kings” (Steep Theatre Company)
Rick Snyder, “Men of Tortuga” (Profiles Theatre)
DIRECTOR — MUSICAL OR REVUE
Fred Anzevino, “Evita” (Theo Ubique Theatre Company in association with Michael James)
Fred Anzevino, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)
Mary Beidler Gearen, “The Christmas Schooner” (Bailiwick Repertory Theatre)
Paul S. Holmquist, “The Robber Bridegroom” (Griffin Theatre Company)
Nicolas Minas, “Woody Guthrie’s American Song” (Blindfaith Theatre)
ENSEMBLE
“Evita,” Theo Ubique Theatre Company in association with Michael James)
“In Arabia We’d All Be Kings,” Steep Theatre Company
“Mariette in Ecstasy,” Lifeline Theatre
“Men of Tortuga,” Profiles Theatre
“Our Bad Magnet,” Mary-Arrchie Theatre Company
“Woody Guthrie’s American Song,” Blindfaith Theatre
ACTOR IN A PRINCIPAL ROLE — PLAY
Don Bender, “Old Times” (City Lit Theater Company)
Esteban Andres Cruz, “Jesus Hopped the ‘A’ Train” (Raven Theatre)
James Elly, “The Mark of Zorro” (Lifeline Theatre)
Ryan Jarosch, “Torch Song Trilogy” (Hubris Productions)
Brian Parry, “Shadowlands” (Redtwist Theatre)
Brian Plocharczyk, “After Ashley” (Stage Left Theatre)
Bradford Stevens, “Jesus Hopped the ‘A’ Train” (Raven Theatre)
ACTOR IN A PRINCIPAL ROLE — MUSICAL
Courtney Crouse, “Jekyll & Hyde: The Musical” (Bohemian Theatre Ensemble)
Chris Damiano, “Evita” (Theo Ubique Theatre Company in association with Michael James)
ACTRESS IN A PRINCIPAL ROLE — PLAY
Brenda Barrie, “Mariette in Ecstasy” (Lifeline Theatre)
Laura Coover, “Blue Surge” (Eclipse Theatre Company)
Cameron Feagin, “Private Lives” (City Lit Theater Company)
Nancy Freidrich, “The Dastardly Ficus and Other Comedic Tales of Woe and Misery” (The Strange Tree Group)
Betsy Zajko, “Beholder” (Trap Door Theatre)
ACTRESS IN A PRINCIPAL ROLE — MUSICAL
Laura McClain, “The Christmas Schooner” (Bailiwick Repertory Theatre)
Maggie Portman, “Evita” (Theo Ubique Theatre Company in association with Michael James)
Rachel Quinn, “Gentlemen Prefer Blondes” (Circle Theatre)
Bethany Thomas, “Belle Barth: If I Embarrass You Tell Your Friends” (Theo Ubique Theatre Company in association with Michael James)
SOLO PERFORMANCE
Janet Ulrich Brooks, “Golda’s Balcony” (Pegasus Players)
Alice Wedoff , “The Shape of a Girl” (Pegasus Players)
ACTOR IN A SUPPORTING ROLE — PLAY
Paul S. Holmquist, “The Picture of Dorian Gray” (Lifeline Theatre)
Matthew Sherbach, “The Further Adventures of Hedda Gabler” (Dog & Pony Theatre Company)
Kevin V. Smith, “Our Bad Magnet” (Mary-Arrchie Theatre Company)
Madrid St. Angelo, “A Passage to India” (Premiere Theatre & Performance in association withVitalist Theatre)
Jon Steinhagen, “Plaza Suite” (Eclipse Theatre Company)
Nathaniel Swift, “Blue Surge” (Eclipse Theatre Company)
ACTOR IN A SUPPORTING ROLE — MUSICAL
Chris Damiano, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)
Chris Froseth, “Woody Guthrie’s American Song” (Blindfaith Theatre)
Jim Sherman, “The Christmas Schooner” (Bailiwick Repertory Theatre)
ACTRESS IN A SUPPORTING ROLE — PLAY
Susan Veronika Adler, “Torch Song Trilogy” (Hubris Productions)
Jeannette Blackwell, “The Further Adventures of Hedda Gabler” (Dog & Pony Theatre Company)
Nora Fiffer, “The Autumn Garden” (Eclipse Theatre Company)
Mary Hollis Inboden, “Torch Song Trilogy” (Hubris Productions)
Elise Kauzlaric, “On the Shore of the Wide World” (Griffin Theatre Company)
Lily Mojekwu, “Greensboro: A Requiem” (Steep Theatre Company)
Rinska Prestinary, “In Arabia We’d All Be Kings” (Steep Theatre Company)
Mary Redmon, “Enchanted April” (Circle Theatre)
ACTRESS IN A SUPPORTING ROLE — MUSICAL OR REVUE
Amanda Hartley, “The Robber Bridegroom” (Griffin Theatre Company)
NEW WORK
Tony Fiorentino, “All My Love” (Diamante Productions)
Robert Koon, “Odin’s Horse” (Infamous Commonwealth Theatre)
Frank Maugeri & Seth Bockley, “Boneyard Prayer” (Redmoon Theater)
Andrew Park, “The People’s History of the United States” (Quest Theatre Ensemble)
Ken Prestininzi, “Beholder” (Trap Door Theatre)
NEW ADAPTATION
Fred Anzevino, Arnold Johnston & Joshua Stephen Karte, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)
Cristina Calvit, “Mariette in Ecstasy” (Lifeline Theatre)
Robert Kauzlaric, “The Picture of Dorian Gray” (Lifeline Theatre)
William Massolia, “Be More Chill” (Griffin Theatre Company)
Terry McCabe, “Scoundrel Time” — City Lit Theater Company
Katie McLean — “The Mark of Zorro” — Lifeline Theatre
CHOREOGRAPHY
Kevin Bellie — “Gentlemen Prefer Blondes” — Circle Theatre
Brenda Didier — “Evita” — Theo Ubique Theatre Company in association withMichael James
Tommy Rapley — “Rose and the Rime” — House Theatre of Chicago
ORIGINAL INCIDENTAL
MUSIC
Lara Golan, “Dr. Egg and the Man With No Ear” (Redmoon Theater)
Charles Kim & Seth Bockley, “Boneyard Prayer” (Redmoon Theater)
Kevin O’Donnell, “Rose and the Rime” (The House Theatre of Chicago)
MUSIC DIRECTION
Ryan Brewster, “Evita” (Theo Ubique Theatre Company in association with Michael James)
Mark Elliott, “The Robber Bridegroom” (Griffin Theatre Company)
Joshua Stephen Kartes, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)
Jeremy Ramey, “The Christmas Schooner” (Bailiwick Repertory Theatre)
Shaun Whitley, “Woody Guthrie’s American Song” (Blindfaith Theatre)
SCENIC DESIGN
Alan Donahue, “Mariette in Ecstasy” (Lifeline Theatre)
Anders Jacobson, “Red Angel” (LiveWire Chicago Theatre)
Bob Knuth, “Enchanted April” (Circle Theatre)
Bob Knuth, “Hay Fever” (Circle Theatre)
Richard & Jacqueline Penrod, “The Shape of a Girl” (Pegasus Players)
Emily Schwartz & Kate Nawrocki, “The Dastardly Ficus and Other Comedic Tales of Woe and Misery” (The Strange Tree Group)
LIGHTING DESIGN
John Horan, “Dr. Egg and the Man With No Ear” (Redmoon Theater)
Denise Karczewski, “Golda’s Balcony” (Pegasus Players)
Lee Keenan, “Rose and the Rime” (House Theatre of Chicago)
Jared B. Moore, “Touch” (New Leaf Theatre)
COSTUME DESIGN
Debbie Baer, “Rose and the Rime” (House Theatre of Chicago)
Michelle Julazadeh, “Jekyll & Hyde: The Musical” (Bohemian Theatre Ensemble)
Suzanne Mann, “Hay Fever” (Circle Theatre)
Suzanne Mann, “Enchanted April” (Circle Theatre)
John Nasca, “Die! Mommie Die!” (Hell in a Handbag Productions)
Jesus Perez, “Gentlemen Prefer Blondes” (Circle Theatre)
SOUND DESIGN
Victoria DeIorio, “The Mark of Zorro” (Lifeline Theatre)
Mikhail Fiksel, “Winter Pageant Redux” (Redmoon Theater)
Tim Hill, “Mariette in Ecstasy” (Lifeline Theatre)
Joshua Horvath, “Rose and the Rime” (House Theatre of Chicago)
Nick Keenan, “Touch” (New Leaf Theatre)
Stephen Ptacek, “God’s Ear” (Dog & Pony Theatre Company)
ARTISTIC SPECIALIZATION
Mask Design — Amanda Church, “The People’s History of the United States” (Quest Theatre Ensemble)
Animation — Jamie Clennett, “Dr. Egg and the Man with No Ear” (Redmoon Theater)
Fight Choreography — Geoff Coates, “The Mark of Zorro” (Lifeline Theatre)
Puppets– Graeme Davis, “Dr. Egg and the Man with No Ear” (Redmoon Theater)
Puppets — Jesse Mooney Bullock, (”Boneyard Prayer”) Redmoon Theater


















*****
A TALE OF TWO CITIES by Charles Dickens