Archive for the ‘Harmony's stories’ Category

Staying Positive

Thursday, May 20th, 2010

So I get a lot of messages asking me questions or making comments on my blog. One of the most common observations is that I seem to always have a positive outlook. I would like to state for the record that this is not true. I have negative thoughts and feelings just like everyone else ALL THE TIME. I do, however, try to stay positive on my blog. It doesn’t help anyone including myself to dwell on bad experiences or bitch about auditions or things not being fair. Sometimes I’ll dip my toe in the bitter pool, but I try to take it out as soon as I can.

This business can be rewarding and inspiring and uplifting and it can also SUCK. It can SUCK hardcore. It can make you feel worthless and untalented and old and unattractive. The thing is, I like this to be a suck-free zone (okay that just sounds gross). Anyway, you get my point. I like this to be a place that I can come to to lift me up and that’s why I keep the Rebecca of Sunnybrook Farms kind of attitude, or try to.

But for those who would like to see the misery. Misery does love company doesn’t it? Here is something I wrote almost exactly two years ago. I was about to turn 30 and wasn’t handling it all that well. DAMN IT! I gave my age away again. Anyway, sometimes it’s good to revisit dark times, it makes us so thankful for lighter and happier times. I am pretty happy right now, but I know that what goes up always comes down. What goes down doesn’t necessarily go up, so we have to learn to bounce. I’m showing you this window into my personal life to prove a point. We all have times like these, and we all can crawl out of them. If you’re down right now…bounce my lovelies….just BOUNCE!

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09/2008

Milestones. That’s what they call it. What is it about milestones that make you stop and evaluate your life, rather harshly, at times. Things that were fine before are suddenly being examined more closely. It’s like a reality check that you’ve suppressed or tried to disguise as something else.

You look around and there are certain parts of your life that you realize are not okay. Certain things become almost unbearable. A job, the place you live, someone in your life, etc. It’s almost crippling. I’ve been trying to break out of this awful self examination for three weeks. It’s not working. I’m sure it doesn’t help that I’ve been extremely sick and that I’m literally starving right now. A starving artist . How freaking poetic. I have one salad and one bagel in my stomach for the last three days. The job that was feeding me is no more. My car is gone. I’m almost out of money.

The funny thing is I’m doing fabulously theater-wise. Even the second callback I had this morning at 10 am went amazingly well. The behind the scenes view was me in the bathroom ten minutes before layering gobs of concealer under my eyes, shimmer powder on my face, and every trick I know so they wouldn’t know that I was malnournished, sick, and sad. I had them fooled. I’m a very good actress. Hysterical.

There are people that are broke and lonely but have people taking care of them, always bailing them out of binds, buying them things, escaping from their life. Then there is ACTUALLY being broke and lonely. It’s two very different things.

I’ve been through and accomplished so much in my life…shouldn’t I be further along by now? I don’t know what to do to get out of debt. I don’t. Even working my tail off I barely make enough to pay rent. I would move to a cheaper place but I have close to a year left on this lease. I’m just plain miserable right now. I don’t want to be. I don’t get off on it or anything. I know that this is the life that I chose. There is pride and honor in that. I’m a working actress. There is pride and honor in that too. I just need more than that. I do. Who knew? My career has always been the most important thing to me and it’s just assumed that if you are doing well in your career that you must be happy. I couldn’t be more unhappy right now. Well that isn’t true. There haven’t been any casualties or anything (knock on wood).

The point is that I feel trapped in this way of life that I’ve imprisoned myself in and I don’t know how to escape from it. It’s not okay to live in squalor, it’s not okay to not be able to pay your own bills, it’s not okay to be taken advantage of, it’s not okay to be completely dependable and not have anyone to depend on. These things are not okay. I’m just so sad right now. I wish I could snap out of it. I really do.

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Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaand back to Happy! Woohoo! I hope I haven’t scared you away completely. Bounce my lovelies!!!!

Love and Insanity,

Harmony

Dancers

Wednesday, February 24th, 2010

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When I was five years old I was in ballet. My favorite book, which I still have in tatters and bound with brown tape, was Little Ballerina. I had a collection of tutus which I modeled shamelessly. Well, for whatever reason, I stopped. I think I asked to stop or maybe my parents couldn’t afford it anymore. For whatever reason…I stopped.

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Skip to high school. One of my closest friends, Tori, was a ballerina. I went to a couple of her recitals and ballets. I was so inspired by it. I signed up to start taking lessons again. I never made it to the first one. I couldn’t afford it and I lived about a 45 minute drive away. I was 15 at the time and couldn’t drive yet.

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Skip to college…well my third college (long story). I was a musical theatre major at Columbia College. I had to take ballet and jazz. I had to go shopping for a leotard as a grown woman which was a little frightening. I got through it though and I really LOVED barre work. It’s just you and the barre working on technique together. What I did not love was when I had to go “across the floor.” Those words make me shudder. Basically that means everyone takes turns going from one side of the room to the other doing some sort of combination of dance steps while everyone else watches. Horror. That’s the stuff of nightmares I tell you.

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I used to DREAD class because I knew that after my beloved barre work that I’d be required to “go across the floor.” I remember one day I was crossing Roosevelt Avenue downtown to get to class. If you’ve never been to downtown Chicago, you’ve missed out on the lovely wind tunnels that the sky scrapers create on certain streets. Roosevelt is a REALLY wide street, and when the wind is really going it can be really difficult to cross. You really have to bare down and make yourself as grounded as possible. One day it was so windy that my feet were barely staying on the ground. A bunch of ballerinas that were walking with me GRABBED ON TO ME. Their fight or flight reaction was to grab the STURDY one. “Her stocky legs will keep us from blowing into Lake Michigan!” I’m not sure why I just shared that story. I suppose I am still incredibly bitter about it. :-P How dare they!?!?!?!?!? :P

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Jazz class was almost all floor work. I would feel myself hyperventilating and breaking out into hives while crossing the dreaded Roosevelt wind tunnel to get to class on Tuesdays and Thursdays. And then as soon as class was over I started dreading the next one. I wasn’t even the worst person in the class or anything like that. I just had a phobia of people watching me GO ACROSS THE FLOOR. ACK! Anything but that!  Needless to say I became an acting major after the first year. I’d love to say that it’s due to me wanting to focus more on my acting. And to be fair, that was the majority of it. BUT I’d be completely full of it if I didn’t admit that part of it was my floor work phobia.

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If I have these kind of issues in dance class, you can imagine how I feel about DANCE CALLS.  hahaha Okay, honestly my phobia is way less debilitating than it used to be. I can make it through a dance call and not need a xanax instantly. I have also been in dozens of shows at this point that I’ve had to do some sort of choreography in. I’m not completely hopeless, but I know that I will never be a real dancer. I can fake it till I make it, but that’s about it.

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I have so much respect for dancers. It’s hard to even put it into words. I think it’s so beautiful to tell a story completely through your body. It’s amazing and I’m always in awe of it.

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The Aida dance call (which I was FACILITATING not dancing in) was REAL. The choreographers, Kevin Iega Jeff and Gary Abbott, are the Artistic Director and Associate Artistic Director respectively from the Deeply Rooted Dance Theater. The dance they put together for the dance call was so beautiful and passionate. There were moments of yearning, moments of anger, and moments of grace all worked into this 32 bar cut that they choreographed. I don’t know how Aida is all going to come together yet, but I can say completely confidently that the dance portion of it is going to be PHENOMENAL. I seriously can’t wait to see what they do with it. I continue to be inspired.

Scenes from BEHIND the casting table

Wednesday, February 17th, 2010

I’m completely exhausted and my brain is fried. Callbacks started today. There are so many lessons to be learned from being on the other side of the casting table. Some are as common sense as “don’t apologize for mistakes, be prepared, and have a good attitude.” Others are way more subjective. Everyone in that room has opinions and is drawn to certain things. Some things are agreed upon. Some aren’t. I’m learning my own aesthetic and my own taste. Like for instance, I am much more drawn to someone who puts emphasis on their acting before their singing. I suppose I didn’t need to sit behind the table to tell you that. ;-)

Another thing I found myself responding to very much was people’s energies and how they held themselves. It must be from my Laban training. :-) (What is Laban you ask? I will do a post on it. I promise. In layman’s terms, it’s a study of different energies. Curious? Janet Louer is THE WOMAN…for coaching or Laban.) Everyone brings a different energy into the audition room with them. Some are light and playful. Some are grounded and regal. Some ooze sex. It’s so interesting to see. What REALLY impresses me is when someone walks in with one energy and then when they perform they transform to something completely different, but an energy that is still them and equally genuine. I like to be surprised!

So what advice do I have? Unfortunately, nothing you haven’t already heard. Go in. Be confident. Make strong choices. Be nice to everyone. Be patient. The biggest piece of advice I have is to leave the audition/callback in the audition room. My roommate is fantastic at this. I, on the other hand, sometimes take to my bed with a xanax. Just kidding! Sort of. I’m getting better at dealing with it.

The thing is, you really don’t know what the casting team wants. Sometimes the casting team doesn’t know what they want. So many things go into it and just because you don’t get the job doesn’t mean you weren’t EFFING awesome. It sucks, it’s not fair, but that’s just the way it is. Sometimes it’s look, sometimes it’s matching actors up, etc. The one thing it definitely is, is OUT of your control. So do this to please yourself! Do the auditions for you and then leave it in the theater Gods’ hands. If it’s right, it’ll happen. If it’s not, it won’t. It’s that simple. (Note to Harmony: read and heed your own advice!)

The last thing I can say is both encouraging and discouraging I suppose. Discouraging first: There is A LOT of talent out there. A shocking amount. There is a ton of competition. None of us are irreplaceable. It’s amazing how many truly talented, lovely, intelligent people will come out of the woodworks for a project they believe in.

BUT as a working actor I take comfort in the fact that I have stood there before, against all the talented people that Chicago has to offer, and guess what? I GOT THE JOB. And I keep getting the job. It hasn’t always been the job I wanted, but it’s THE job. I stood there and out of gobs of talented people, they chose me. If you think about it that way, it’s pretty special.

So I’ll leave you with that thought. If you didn’t get it, that was the ENCOURAGING part of it!

Oh by the way…..Operation Flapper Dress is working:

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TIME OFF

Tuesday, January 12th, 2010

It’s 6pm, do you know where your actors are? Chances are they’re throwing their script in their bag. Perhaps they’re digging through their closet desperately trying to find their jazz shoes. Some are just getting off their “real job” jumping on the train and trying to make it to rehearsal in time. Some are probably grabbing a slim fast and a cheese stick at 7-11 hoping it’ll be enough to get them through until after their show.

Where is this actor? This actor is playing on my computer, baking a naughty cheesy potato bake, and getting ready to watch BIGGEST LOSER. Which is appropriate, because honestly when you’re between gigs it’s hard not to feel like the “biggest loser.” I know it doesn’t really make any sense. I have a show I’m really excited about that opens in May. So I’ll probably start working on that in early April/late March. So really worse case scenario I have three months off. That’s not the end of the world, right?

RIIIIIIIIIIIIIIIIIIIIIIGHT. For an actor it is. And if they say otherwise, they’re lying. When most of your friends are actors, the question you hear all the time is, “What are you working on right now?” We all ask it. We’re all guilty of it. I, and I would guess others too, fear not having an answer to that question.

For non-working actors the answer is usually, “I’m really looking forward to having some time off.” And this is partly true, but for ambitious actors there is always that panic of where the next job is going to come from. Or if you have a show lined up, you worry about what you’re going to have after that. It’s a constant struggle. There is absolutely NO job security. ARGH it’s enough to make me want to go back to the Navy. At least they have benefits and a retirement plan. LOL

Don’t worry, I’m not going back to the Navy. It’s really not all that drastic. I guess I’m just having a little diarrhea of the brain. It’s time to figure out what to do with my three months. I have some ideas! It’s been three years since my last cabaret so I’m thinking about writing another one. We’ll see. I want to take an on-camera class. It’s something I’ve been interested in a long time. Those that know me best know that my ultimate dream isn’t Broadway anymore. If I could have any career I would want to be on a detective show on tv! I know that sounds silly, but dreams are allowed to be silly. I think the reason I never even considered tv/film an option is because I’m a little overweight and I always assumed you had to be a size 0 to even think about it. That brings me to my next thing. Since I work from home and now have evenings free I have absolutely NO reason not to overhaul my diet/exercise regime. I have Jillian Michael’s 30-day shred, so how about I do a 90-day shred?

After all, my next role is an ingenue.

In a flapper dress.

And ingenues can’t have flabby arms. It’s my rule, nobody else’s.

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I call on Kate Winslet, my patron saint of AWESOME to get me through it.

Thank you for listening to my madness.

Yours always,

Harmony

Thank you David Zak!

Thursday, October 22nd, 2009

me_67280_2009-08-28-09-18-11359David Zak, contributer and reviewer for the Chicago Theater Examiner posted a little article about one of my embarrassing stage moments. We all know how much I LOVE to tell you all embarrassing stories about myself, so click HERE to read it.

On a personal note, I have so much more to thank David for. He was the first director to cast me when I was fresh out of college without a single professional credit on my resume. He was the first director to cast me as a lead very shortly after in the American premiere of Jerry Springer: the Opera. He then gave me a one-woman show when he trusted me with the telling of Tell Me On A Sunday. He has trusted and supported me even more than I’ve trusted myself.

David is never afraid to take a casting risk. He knows talent. He knows what will work. There is a reason that so many successful actors in this city had their start at Bailiwick Repertory where David was Artistic Director. He’s not afraid to give an actor their start and he’s also a damn good director. For this and so many other things, I thank you David Zak and many others should too. Now…don’t blush. Take a little bow.

Can’t wait until we work together again.

Love Harmony

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

It’s Almost Time!

Tuesday, August 4th, 2009

So there is this whole spiel that I told in my cabaret about how I discovered theater. The short version is my Grandma took me to see Les Miserables on Broadway on my fourteenth birthday. That was it. I was bitten. That is exactly what I wanted to do. I wanted to sing depressing belt ballads…hysterical.

My first opportunity to show off my voice (that popped out from nowhere) was a Phantom of the Opera concert. I was playing Christine along with 3 other girls! I got to sing “Think of me” as a trio with my best friend Lisa Hobson, and my biggest high school crush Christopher Robin Burgess.

I wore a gorgeous green velvet ball gown. I wore my hair up and cleverly disguised the bald patches that came from a disastrous home perm with jeweled barrettes and green feathers. I forgot to bring the appropriate shoes, so I went barefoot. I took my place on stage. I was singing the second verse, Lisa the first. I could hear her pretty voice. She was nearing the end of her verse.

Erik (my second biggest high school crush) turned to me and said “It’s almost time.” Without looking at him I murmured “I know.” I had this odd sense of calm. I floated out to my spot and sang my verse. I was so happy and sure of myself. Even with bald spots, bare feet, and it being my first solo of my life, I was fearless. I didn’t know squat about supporting or breathing or intentions or objectives or body language or focus points or love or loss or ANYTHING.

All I knew was that I was home. I was happier in that moment than I had been in my life up until that point. I felt lucky and grateful to be on stage that night.

I would like to ask the theater Gods to give me just a touch of the pure joy that I felt that night from time to time. That’s why we do this.

All my love and wishes,

Harmony

Stage (battle) Scars

Saturday, June 20th, 2009

I’ll show you mine if you show me yours!!

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This was taken two days after falling off the stage in the middle of a cabaret that I was doing a little over a year ago. I fell straight off.  My legs broke the fall on some steps (thank god) and I landed on my chin. The most ridiculous part of this story is that the next part of the joke I was in the middle of was to drop and do push-ups. So I did them anyway, on the floor in a puddle of blood. I tried to go on with the show with blood POURING down my body. I was shocked with how much blood there was. The only reason I finally left the stage is because I couldn’t get my face to stop gushing and the audience was looking at me in horror. I tried sopping it up with my scarf, I poured water over my chest to wash away the blood. I even made a Sweeney Todd joke. I tried so hard to keep going. The sense was completely knocked out of me. I must have looked like a raging lunatic.

Anyway, I spent the night in the ER getting stitches in my chin and x-rays on my legs. They actually put me at the top of the waiting list since I looked like someone had slit my throat or like I was an extra in a Freddy Kruger movie. My beautiful friend Lindsay Naas stayed with me and brought me chocolate and a laptop to play on. It meant so much to me. A hospital can be a very lonely place to be.

Luckily, none of my injuries were that serious, but I will say that I STILL have a bruise on my left leg from over a year ago. It’s quite unsightly, but it’s my battle scar. I’m proud of it. Not necessarily proud of how I got it, that’s just embarrassing. But, proud that I suffered for my art! I’m so method. ;-)

Bitten by the bug…

Saturday, June 20th, 2009

****A COLLEGE ESSAY THAT I WROTE ABOUT GETTING BITTEN BY THE BUG. SOMETIMES IT’S NICE TO REMEMBER WHY WE DO THIS.****

On my fourteenth birthday my Grandmother came to visit me in upstate New York. She told me that I had to go put on a dress. We were going to the city! I berated her and my mom the whole way to New York City to tell me what we were going to do. They told me that I would just have to wait and see. We drove into Manhattan and ate at a little French bistro. I was so excited, that I could barely eat. Finally, after dinner, my Grandmother said to go outside and look next door. I found a building with a big sign that said LES MISERABLES. I had no idea what that meant, but the mystery was solved. I was going to see a Broadway musical!

I was mesmerized. The show was not like anything I had seen in my life. I loved everything about the theater, the actors, the costumes, and especially the energy. Everything was turned up a notch. It seemed magical. I cried bitterly with Fantine, yearned desperately with Eponine, and laughed gleefully with the Thenardiers. I found myself both in awe and jealous of everyone up on the stage. I wanted to be with them.

Shortly after, I was cast in my first musical. I was a chorus member in BABES IN ARMS. I didn’t have a big part, but everyday I was the first one to show up and the last one to leave. I lived, breathed, and slept the play. Nothing else mattered to me. I had never felt so alive, so attractive, or so confident in my life. I did every single play that came my way. Sometimes I did two plays at once. I was hooked.

I decided that I was going to finish high school, go to Juilliard, and be on Broadway by my twentieth birthday. I would have my first starring movie role by twenty-two. I’d hop back and forth between Broadway and Hollywood with the perfect career. I would win both an Oscar and a Tony by twenty-five. After which, I would marry the perfect man and have 2.5 fascinating, brilliant, and talented kids.

Well, life doesn’t’ work like that. In my junior year of high school, my parents declared bankruptcy. We moved from our home in upstate New York to a town in the Southern tip of Georgia. I skipped my senior year of high school and decided to attend Brenau University. I was a music performance/theater major. At sixteen I was the youngest person to be granted a music scholarship in the history of the school. The pressure on me was intense. I didn’t know how to balance my love of music and my love of theater. I felt both departments pulling me in different directions.. And while I loved Opera, I did not think it was the right field for me. After two years, I went home to figure out what my next step would be.

I joined the Navy, rather rashly actually. I decided to take advantage of an offer to join Navy Intelligence, where I would qualify for the G.I. college assistance program. I have been in the Navy for six years. Here I am at twenty-six, no Oscar, no Broadway shows, and no perfect man. And while I’m not where I dreamed about being when I was fourteen, I’m better off. I’ve been all over the world and met many people of different cultures and backgrounds than myself. I had the privilege of performing for many memorials including the U.S.S Cole and September 11th, in tribute to my fallen comrades. I volunteered my time helping needy children and families. I was awarded two Navy Achievement medals and a Veteran’s of Foreign War’s award. I was nominated for Volunteer of the Year for three years in a row. I am proud to have served my country, especially in these uncertain times. I have grown and changed  as a person, and gained a level of discipline that matches the determination and drive that I have always possessed.

While many things about me have changed throughout the years, the one thing that never changed was my desire to be an actor. The Navy was always just a means to an end. I had six years to change my mind or my direction and I never faltered. To me, that was the final test. This is not just a phase. This is what I want to do for the rest of my life. The feeling that I get when I walk into the theater, whether it’s to perform or to chip paint, is unparalleled to anything I’ve felt in my life. I’ve lived in eighteen places in twenty-six years, but when I walk up onto that stage, I’m home.

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A Navy girl reflects…

Monday, May 25th, 2009

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“Oh my GOD!  You were in the Navy!?!?!” This is what I hear from my fellow thespians whenever  I disclose that I spent 6 years of my formative early twenties serving in the United States Navy. The next couple of statements are usually, “And now you’re an actor! How on earth does that happen??!?! How was it!!? Did you hate it!!? Did you love it!!? But, you’re a liberal!”

It’s funny because I don’t really think about it that often. But, on days like today (Memorial Day in case any of you live under a rock), Veteran’s Day, and 9-11, I can’t stop thinking about it. How do I juxtapose being a veteran AND an actor? Honestly, in my case, I can’t imagine one without the other.

The Navy taught me so many invaluable lessons. Some of them came easily. Some of them I learned kicking and screaming. I learned that I could push myself past physical and emotional barriers that I thought I had. I learned how to handle myself in a crisis. I learned how to think less about myself and work for the good of a team. I learned how to follow the rules while maintaining my individuality. I learned how to be tough. I learned how to lead by example. I learned how to continue to be creative in a creatively stifling environment. All of these lessons can be applied to a life on the stage.

Some of my proudest and happiest moments are from when I was in the Military. Surviving and succeeding in bootcamp, passing my first physical readiness test, being nominated for Sailor of the Year, winning Volunteer of the Year, serving during 9-11, singing at funerals and memorials, working for Habitat for Humanity, traveling the world, falling in love for the first time…all rival and/or surpass any theatrical highlights…first lead, first cabaret, first good review, one-woman show, etc.

The way I see it is an actor can only portray what his/her experiences and/or imagination will allow. I lost 6 years of my young theatrical life, but I gained a lifetime worth of amazing experiences that few in the theater have. I also was able to challenge my commitment to theater. I joined wanting to be an actor and six years later, with no exposure to theater during, I still wanted to be.

On days like today I hold my head up high. My service to this country is one of the few things I allow myself to be truly proud of. I remember all the amazing people I met that did the same. This is a day to truly honor the sacrifice that our countrymen/women make for this country. Whether it’s just a four year tour, a life-long service, or heaven forbid a loss of life. No matter what your political affiliations, our military is to be celebrated. These are good people trying to do their part and I am honored, thankful, and DAMN PROUD to be among them. Happy Memorial Day everyone!

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Is the curse broken?….Marriott: a study

Wednesday, April 1st, 2009

I’m kind of superstitious, but only when it comes to theater.  If I have a bad audition in an outfit I will NOT wear that outfit to an audition again. If I crash and burn on a song selection I will “punish it” by hiding it in the back of my closet or in the freezer or anywhere that will insure that I do not attempt to use it again. Note: I have not ACTUALLY ever put sheet music in the freezer. I’m a little nuts, but not THAT nuts.

Following this bizarre train of thinking I was afraid to audition for the Marriott this year due to my past experiences. I thought that my auditioning for the Marriott would be forever cursed. I actually didn’t audition for them for a year and a half because I was afraid that I would end up falling or peeing on myself or something awful. All of my most horrifying audition stories come from auditioning for THIS particular company. ****Warning! If you get queasy from reading about bodily fluids, please stop reading now!****

Alright I’ve been insanely intimidated by the dumb Marriott (It’s not dumb. It’s a lovely company. I’M dumb for being intimidated) since John Komasa (who I love and adore!) made such a big deal about me claiming to be his student to audition for them. What was that? Four or five years ago I think. He was right by the way. I wasn’t ready at ALL. I believe during that audition I sang “Johnny One Note.” UGH. Double double toil and trouble UGH. So that was the first one. I don’t remember what my legit piece was. LOL I’m sure I wasn’t asked to sing one.

The next time (I believe. There may have been one more. If so, it was unmemorable.) was when I was called in for You’re a Good Man Charlie Brown. I sang…hmmmm…what the heck did I sing? I think I sang Little Red’s song from Into the Woods, but tried to make it bratty. Well they gave me direction. How about you act like a real person and not the stereotype of a brat? (They didn’t actually say this. They were very nice. But, that is what I would’ve told myself if I had been casting.) I took the direction to be a human and they liked it. I’m actually very good at being a human when I remember to do it. AND then I didn’t apply it to my second song, which I think was “Maybe I like it this Way” from Wild Party. Completely inappropriate! I was intense and ridiculous and not ANYTHING like what they would want for You’re a Good Man Freaking Charlie Brown! Note: always apply notes or direction from one piece to the other when auditioning. If they want to see a natural portrayal of a song chances are they’ll still want a natural portrayal if you sing another one instead of acting like a raging lunatic. UGH

Okay the THIRD time I sang “I Will be Loved Tonight” from I Love You You’re Perfect Now Change which they seemed to love. They asked me to sing another song and I sang “Evil Clyde” from Witches of Eastwick. It was AWFUL. The tempo was wrong. I was weird. Just awful. It totally negated the initial impressive song.

The fourth time I can’t even remember what I sang. What I DO remember is that I forgot to put my contacts in. I didn’t want to wear my GLASSES, so I just took them off for the audition. So I went in, was greeted by someone who remembered me at the table. Couldn’t see who. So I just looked in their general direction. Sang my song. Couldn’t see them. Stood there for what seemed like an eternity after singing before they thanked me. I couldn’t see anything they did. I couldn’t see if they were motioning for me to go, trying to get me to sing my other song, flipping me off, jumping out the window. I COULDN’T SEE ANYTHING! NOTHING. Nightmare.

Now I thought that that was about as bad as it could get, but no. I went in a year and a half ago for their generals. They were doing Nunsense which I figured I could do, so I decided to sing “Adelaide’s Lament” for my “funny” piece. I got my period literally while standing there introducing my song and had one of those awful ones that bleed through everything instantly. I could feel my underwear soaking it up while I stood there singing. I could feel it dripping down my…HORROR. (I warned you!) Mortification. I got through it as fast as possible and then bawled in the bathroom for 10 minutes before I left.

That last experience was traumatizing enough to keep me away for a year and a half. Trepidatiously I decided to tempt fate and conquer my fear and audition for their generals a couple of weeks ago. Aaaaaaaaaaaaaaand….SUCCESS! I didn’t pee on myself or fall down or make an inappropriate joke. I just went in and sang my piece (”Bill” from Showboat) and it went fine and I didn’t completely humiliate myself. I went in, did my best, left, knew that I did my best, and felt good about it afterward. That’s the secret to a good audition, pleasing YOURSELF.  If you feel like you’re prepared and you did everything in your power to do your best, then you’ll never be disappointed in yourself. You cannot control what the casting director or director is looking for, but you CAN control your preparedness, appearance, and attitude. That’s the key to success my friends (provided of course that bodily fluids don’t get in your way).

THE CURSE IS BROKEN!

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