Archive for the ‘Talented Colleagues’ Category

The good, the bad, and the UGLY

Friday, February 26th, 2010

There is so much to be thankful for. I am surrounded by people that are so talented that it’s almost unbelievable. On a daily basis I get to be inspired by my peers. This week was no exception. In a two day period I was able to see Private Lives at Chicago Shakespeare, Fiddler on the Roof at the Marriott, and attend a benefit celebration for a company I’ve worked with and have a place in my heart for: Bohemian Theatre Ensemble. This weekend I’m going to see some Tennessee Williams directed by my dear friend David Zak and last week I saw the stunning production of Oh Coward! at Writer’s theatre. Next week I’m going to see the opening of Chess at Theo Ubique, my wonderful friend Danni Smith in Living Quarters for Strangeloop theater, and the lovely Christin Boulette in Pride and Prejudice at the Chamber Opera Chicago. This is not to mention getting to see my roommate in Bailiwick Chicago’s  Show us Your Love every weekend. He’s one talented fellow.

If you didn’t get it, that’s the “good.” The inspiration, support, and strength I get from my friends, family, and peers is invaluable and keeps me going day to day.

We don’t really need to talk about the “bad,” do we? Poor wages, scraping by, rejection, blah blah blah blah blah. I get tired of talking about it. You get it. It’s not as rosy and glamorous as people who are NOT in-the-know would think.

Let’s talk about the “ugly,” shall we? This career can be hard enough as we briefly covered in the bad section. What makes it worse is ugly behavior. There is back stabbing, drama, jealousy, rumor starting, deceit, unhealthy competitiveness, downright vindictiveness, and the worst… bad-mouthing a peer to a fellow professional. It’s the underbelly of the Chicago theater community and it’s frankly gross. I have from one time or another been a victim of all of that behavior and so have most the people I know. It’s just not conducive to anyone.

Now we ALL TALK. That’s a given. And of course we’re going to bitch about each other from time to time to friends and lovers. Everyone in ANY career field does that about their co-workers. I would just like to request that we try to stay positive, that we try to be happy for each other’s successes even if it’s hard sometimes, and that under no circumstances do we attempt to hurt someone else’s career. We already have so many strikes against us just for the mere fact that we want to be actors. Why make it harder for ourselves than it has to be? And if none of that works just think about a little thing called karma. I strongly believe in karma and what goes around comes around. So let’s look out for each other!

I’ll leave you with a quote that was going around FB a couple of days ago:

We live in an era of enormous cynicism. Do not be fooled.

Don’t act for money. You’ll start to feel dead and bitter.

Don’t act for glory. You’ll start to feel dead, fat and fearful.

We live in an era of enormous cynicism. Do not be fooled.

You can’t avoid all the pitfalls. There are lies you must tell. But experience the lie. See it as something dead and unconnected you clutch. And let it go.

Act from the depth of your feeling imagination. Act for celebration, for search, for grieving, for worship, to express that desolate sensation of wandering through the howling wilderness.

Don’t worry about Art.

Do these things and it will be Art.

John Patrick Shanley

AND PLEASE CHECK OUT THESE SHOWS AND SUPPORT LIVE THEATRE!!!!!!!

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Private Lives

Chicago Shakespeare Theater

Following his celebrated production of Amadeus this season, CST’s own Gary Griffin directs Noël Coward’s stylish, savvy comedy about the people we can neither live with—nor without. Divorcés Amanda and Elyot meet up again quite by accident—on their second honeymoons, with brand-new spouses in tow. Fireworks fly as their reunion reveals just how quickly romance—and rivalry—can be rekindled.

Thru - Mar 7, 2010

Fri, Feb 26: 7:30pm
Sat, Feb 27: 3:00pm & 8:00pm
Tue, Mar 2: 7:30pm
Wed, Mar 3: 1:00pm & 7:30pm
Thu, Mar 4: 7:30pm
Sat, Mar 6: 3:00pm & 8:00pm
Sun, Mar 7: 2:00pm

Price:$44-$75

Show Type: Comedy

Box Office: 312-595-5600

www.chicagoshakes.com

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Fiddler on the Roof

Marriott Theatre In Lincolnshire

This Tony Award-winning musical has captured the hearts of people all over the world. It is the bittersweet tale of a family coping with a changing world. Tevye, a Jewish dairyman, and his family live in a small village in 1905 Tsarist Russia. With the help of the local matchmaker, Tevye and his wife are in search of acceptable husbands for their three lively daughters. While their daughters are determined to break tradition and marry the men they love, Tevye begins to face bigger issues as Jews are being persecuted in his homeland. A hopeful celebration of the human spirit, Fiddler on the Roof features an unforgettable score with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein.

Thru - Apr 25, 2010

Wednesdays: 1:00pm & 8:00pm
Thursdays: 8:00pm
Fridays: 8:00pm
Saturdays: 4:30pm & 8:00pm
Sundays: 1:00pm & 5:00pm

Price:$35-$55

Show Type: Musical

Box Office: 847-634-0200

www.marriotttheatre.com
0811213803Not About Nightingales

CCPA at Roosevelt University

First written in 1938,the script remained unproduced until 1998. This early work was written by Tennessee Williams when he was only 27, before any of the great plays that established his later reputation. Based on true events, this play attempts to shine a spotlight on the corruption, degradation and murder that occur in prisons, outside the light of social norms of human decency. In the setting of an “escape proof” prison, acts of torture and brutality replace humanity, in this work that Williams described as filled with unprecedented violence and horror.

By Tennessee Williams
Directed by David Zak

Friday and Saturday Feb. 26 and 27 at 7:30pm
Sunday Feb. 28 at 2pm

$10 General Admission
$6 Students/Seniors/ INDUSTRY

(312) 341-3831

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Oh Coward!

Writers’ Theatre

You’re invited to a marvelous party at Writers’ Theatre! Weaving together songs and literary delights, Oh Coward! celebrates one of the theater’s greatest entertainers, Noel Coward. His effervescent music and charming quips combine for an unforgettable evening of the most memorable tunes of the 20th century.

Thru - Apr 18, 2010

Fri, Feb 26: 8:00pm
Sat, Feb 27: 4:00pm & 8:00pm
Tue, Mar 2: 7:30pm
Wed, Mar 3: 7:30pm
Thu, Mar 4: 8:00pm
Sat, Mar 6: 4:00pm & 8:00pm
Sun, Mar 7: 2:00pm & 6:00pm
Wed, Mar 10: 2:00pm & 7:30pm
Thu, Mar 11: 8:00pm
Fri, Mar 12: 8:00pm
Sat, Mar 13: 4:00pm & 8:00pm
Sun, Mar 14: 2:00pm & 6:00pm
Wed, Mar 17: 2:00pm & 7:30pm
Thu, Mar 18: 8:00pm
Fri, Mar 19: 8:00pm
Sat, Mar 20: 4:00pm & 8:00pm
Sun, Mar 21: 2:00pm
Tue, Mar 23: 7:30pm
Wed, Mar 24: 7:30pm
Thu, Mar 25: 8:00pm
Fri, Mar 26: 8:00pm
Tue, Mar 30: 7:30pm
Wed, Mar 31: 7:30pm
Thu, Apr 1: 8:00pm
Sat, Apr 3: 4:00pm & 8:00pm
Sun, Apr 4: 2:00pm & 6:00pm
Tue, Apr 6: 7:30pm
Wed, Apr 7: 7:30pm
Thu, Apr 8: 8:00pm
Fri, Apr 9: 8:00pm
Tue, Apr 13: 7:30pm
Thu, Apr 15: 8:00pm
Sun, Apr 18: 2:00pm & 6:00pm

Price:$40-$60

Stage: Performed at 664 Vernon Avenue

Show Type: Musical

Box Office: 847-242-6000

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Chess

No Exit Cafe

Chess is a Cold War musical, first premiering in the 1980s, with lyrics by Tim Rice and music by former ABBA members, Bjorn Ulvaeus and Benny Andersson. Among the notable hit songs from the cult musical are One Night in Bangkok and I Know Him So Well.

Presented by Theo Ubique Cabaret Theatre

Previews: Mar 5 - Mar 6, 2010

Regular Run: Mar 7 - Apr 25, 2010

Sat, Mar 6: 8:00pm
Sun, Mar 7: 7:00pm
Thu, Mar 11: 8:00pm
Fri, Mar 12: 8:00pm
Sat, Mar 13: 8:00pm
Sun, Mar 14: 7:00pm
Thu, Mar 18: 8:00pm
Fri, Mar 19: 8:00pm
Sat, Mar 20: 8:00pm
Sun, Mar 21: 7:00pm
Thu, Mar 25: 8:00pm
Fri, Mar 26: 8:00pm
Thu, Apr 1: 8:00pm
Sat, Apr 3: 8:00pm
Sun, Apr 4: 7:00pm
Thu, Apr 8: 8:00pm
Fri, Apr 9: 8:00pm
Thu, Apr 15: 8:00pm
Fri, Apr 16: 8:00pm
Sun, Apr 18: 7:00pm
Thu, Apr 22: 8:00pm
Fri, Apr 23: 8:00pm
Sat, Apr 24: 8:00pm
Sun, Apr 25: 7:00pm

Price:$15-$30

Show Type: Musical

Box Office: 800-595-4849

www.theoubique.org

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Living Quarters

Trap Door Theatre

Subtitled After Hippolytus and first produced by Dublin’s Abbey Theatre in 1977, Living Quarters recasts the mythology of Theseus, Hippolytus, and Phaedra into an isolated Donegal homestead.Commandant Frank Butler returns home to Ireland as a hero after saving nine United Nations peacekeepers from enemy fire during a siege in the Middle East. Reunited to celebrate Frank’s triumph are three daughters and a son by his first marriage and the young wife Frank married days before his deployment. But the revelation of secrets kept while Frank was away threatens to divide the Butler house forever.

Presented by Strangeloop Theatre

Thru - Mar 14, 2010

Thursdays: 8:00pm
Fridays: 8:00pm
Saturdays: 8:00pm
Sundays: 2:00pm

Price:$10-$15

Show Type: Drama

Box Office: 773-276-0458

www.strangelooptheatre.org

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Jane Austen’s Pride and Prejudice: A Musical Play

Jane Austen revisits her rejected first novel, First Impressions, and overcomes all obstacles to transform it into the timeless classic, Pride & Prejudice. What writers Lindsay Warren Baker and Amanda Jacobs have accomplished is not just a powerful, musical retelling of a classic love story. They show us, through the journey of the author herself, what it takes to create a masterpiece. See Elizabeth and Darcy’s romance come to life from a whole new perspective and immerse yourself in Austen’s creative process as she interacts with the very characters she has created.

By Lindsay Warren Baker and Amanda Jacobs
Directed by Steven Daigle
Orchestra conducted by Victoria Bond

Saturday, February 27, 2010, 7:30pm
Saturday, March 6, 7:30pm
Sunday, March 7, 3:00pm (with Christin Boulette Dorton)

Chamber Opera Chicago Office/Studio

Tel: 312-951-7944
FAX: 312-951-7948

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Show Us Your Love

Mary’s Attic

Show Us Your Love celebrates love and relationships, featuring both comic and dramatic selections from some of Broadway and Off-Broadway’s very best, including HAIR, SUNDAY IN THE PARK WITH GEORGE, PIPPIN, FLOYD COLLINS and BROOKLYN THE MUSICAL. Audience members will have an opportunity to “show us their love” by informally voting for their favorite shows, which will influence Bailiwick Chicago’s show selection process for future seasons.

Presented by Bailiwick Chicago

Thru - Mar 28, 2010

Sundays: 7:30pm

Price:$15

Show Type: Musical

www.bailiwickchicago.com

My secret weapon

Tuesday, February 23rd, 2010

Ahhhh the joys of having a graphic/web designer as a roommate/best friend. Not only did Eric design my website and this blog, but he also does all of my photo retouching. Normally this just means getting rid of bags under the eyes, but as you’ll see he went above and beyond his duty of friendship!

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So this was the original shot that I picked to be my headshot. It’s not that bad. The pros: I liked the mischievous look in my eyes. It’s very Harmony. I like that the angle tamed the angularity of my nose a bit. AND let’s face it, the girls look good. The cons: I was strapped for cash so the retouch of my hair color didn’t happen before the shots. I’d like to point out that the discoloration did not look THIS bad in person, but when you put very bright lights on me and put a white background behind me this is what you get. I had also walked through a rainstorm to get there and try as I might I could not get the curl to stay or the frizz to leave. There was also the typical things to retouch…such as bags under eyes, my bra poking through, and horror of horrors…some deodorant residue on my dress!

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This was the first attempt. I had decided that I was going to dye my hair to match the bright red at the ends of my hair, so Eric matched my roots to the bottom part of my hair and my eyebrows to match. He changed the contrast of the photo so that I wasn’t quite so washed out. I told him to leave my crow’s feet alone. And he did. You can’t really tell online, but if you saw the photo you would see the lines. I like them. They add character. I DO NOT, however, like wrinkles UNDER my eyes. So I had him zap them. He also fixed the bra problem, the deodorant incident, he whitened the whites of my eyes, and in an effort of pure disclosure: he slimmed the bottom of my arm a tiny bit.

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So I used the red one for a while. I felt a little silly, like I was trying to look like Jessica Rabbit or something. Instead of  going for the bright red I decided to try for an auburn or brownish red. I dyed it the night before I had a double audition day. I could tell that it was darker than I had anticipated, but it wasn’t until I woke up the next day that I saw how freaking dark it was! This picture is NOT an exaggeration. So I knew I couldn’t show up at auditions with brassy red headshots and dark brown hair. That’s a major NO NO. Eric to the rescue. In about 10 minutes he changed the color of my hair in the headshot to match. With the dark brown hair it looked a little silly with a white background, so we settled on this heather gray instead. I got so many compliments on my headshot that day! Little did they know….well I guess they know now…that Eric had just done some last minute computer wizardry right before I had to walk out the door to get to the auditions. Oh and on a side note…I booked one of the shows from those auditions! :-)

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After the color faded a bit it looked more like this and still does. So Eric changed the color again. This is the shot that works for me right now. Of course since I’ve been using it for a while, I’m ready for a change, but that’s just my nature. I get bored. Maybe I’ll return to this:

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Sigh….I miss being a blonde.

Okay so I sincerely apologize for posting 8000 pictures of myself. It’s obnoxious. There is a point to it. I wanted to show the skills of my roommate and I also kind of wanted to take away some of the mystery around it. The blonde picture I don’t have an excuse for. I like it. It makes me feel pretty. SO THERE! But seriously, we are constantly barraged with photos of perfect celebrities. Guess what? They’re not perfect. I mean I guess there are people that are more perfect than others, but most of them need a lot of help with make-up, hair, and yes a retoucher. If the above photos can be the same girl as this girl…..(seen with Eric):

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…then seriously anyone can be made to look good with the right team.

That is my lesson for the day.

I won’t post another photo of myself until 2011. I promise.

Harmony

Thank you David Zak!

Thursday, October 22nd, 2009

me_67280_2009-08-28-09-18-11359David Zak, contributer and reviewer for the Chicago Theater Examiner posted a little article about one of my embarrassing stage moments. We all know how much I LOVE to tell you all embarrassing stories about myself, so click HERE to read it.

On a personal note, I have so much more to thank David for. He was the first director to cast me when I was fresh out of college without a single professional credit on my resume. He was the first director to cast me as a lead very shortly after in the American premiere of Jerry Springer: the Opera. He then gave me a one-woman show when he trusted me with the telling of Tell Me On A Sunday. He has trusted and supported me even more than I’ve trusted myself.

David is never afraid to take a casting risk. He knows talent. He knows what will work. There is a reason that so many successful actors in this city had their start at Bailiwick Repertory where David was Artistic Director. He’s not afraid to give an actor their start and he’s also a damn good director. For this and so many other things, I thank you David Zak and many others should too. Now…don’t blush. Take a little bow.

Can’t wait until we work together again.

Love Harmony

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

Congrats Jeff Winners!

Tuesday, October 20th, 2009

Okay I know I’ve neglected the blog. I’ve been busy. There are many new shows and projects to tell you about. I’ll try to do that soon.

In the meantime here is the full list of Equity Jeff Winners!!!

PRODUCTION - PLAY - LARGE (Tie)

“Ruined” - Goodman Theatre and Manhattan Theatre Club
“The Seafarer” - Steppenwolf Theatre Company

PRODUCTION - PLAY - MIDSIZE
“The History Boys” - TimeLine Theatre Company

PRODUCTION - MUSICAL - LARGE
“Caroline, or Change” - Court Theatre

PRODUCTION - MUSICAL - MIDSIZE
“Tomorrow Morning” - Hillary A. Williams, LLC

PRODUCTION - REVUE
“Studs Terkel’s Not Working” - The Second City e.t.c.

ENSEMBLE
“The History Boys” - TimeLine Theatre Company

DIRECTOR - PLAY
Nick Bowling - “The History Boys” - TimeLine Theatre Company

DIRECTOR - MUSICAL
Charles Newell - “Caroline, or Change” - Court Theatre

DIRECTOR - REVUE
Matt Hovde - “Studs Terkel’s Not Working” - The Second City e.t.c.

SOLO PERFORMANCE
Max McLean - “Mark’s Gospel” - Fellowship for the Performing Arts

ACTOR IN A PRINCIPAL ROLE - PLAY (Tie)
William L. Petersen - “Blackbird” - Victory Gardens Theater
Larry Neumann, Jr. - “A Moon for the Misbegotten” - First Folio Theatre

ACTOR IN A PRINCIPAL ROLE - MUSICAL
Joseph Anthony Foronda - “Miss Saigon” - Drury Lane Oakbrook

ACTRESS IN A PRINCIPAL ROLE - PLAY
Saidah Arrika Ekulona - “Ruined” - Goodman Theatre and Manhattan Theatre Club

ACTRESS IN A PRINCIPAL ROLE - MUSICAL
E. Faye Butler - “Caroline, or Change” - Court Theatre

ACTOR IN A SUPPORTING ROLE - PLAY
Alex Weisman - “The History Boys” - TimeLine Theatre Company

ACTOR IN A SUPPORTING ROLE - MUSICAL
Max Quinlan - “The Light in the Piazza” - Marriott Theatre

ACTRESS IN A SUPPORTING ROLE - PLAY
Spencer Kayden - “Don’t Dress for Dinner” - The British Stage Company

ACTRESS IN A SUPPORTING ROLE - MUSICAL (Tie)
Liz Baltes - “A Minister’s Wife”- Writers’ Theatre
Summer Smart - “The Light in the Piazza” - Marriott Theatre

ACTOR IN A REVUE
Mark David Kaplan - “Forbidden Broadway” - John Freedson, Harriet Yellin, Margaret Cotter

ACTRESS IN A REVUE
Amanda Blake Davis - “Studs Terkel’s Not Working” - The Second City e.t.c.

SCENIC DESIGN - LARGE
Lucy Osborne - “Twelfth Night” - Chicago Shakespeare Theater

SCENIC DESIGN - MIDSIZE
Brian Sidney Bembridge - “The History Boys” - TimeLine Theatre Company

COSTUME DESIGN - LARGE
Mara Blumenfeld - “The Arabian Nights” - Lookingglass Theatre Company

COSTUME DESIGN - MIDSIZE
Rachel Laritz - “The Voysey Inheritance” - Remy Bumppo Theatre Company

LIGHTING DESIGN - LARGE
Christopher Akerlind – “Rock ‘n’ Roll” - Goodman Theatre

LIGHTING DESIGN - MIDSIZE
Jesse Klug - “Hedwig and the Angry Inch” - American Theater Company

SOUND DESIGN - LARGE
Ray Nardelli and Joshua Horvath - “Miss Saigon” - Drury Lane Oakbrook

SOUND DESIGN - MIDSIZE
Lindsay Jones - “The K of D: An Urban Legend” - The Route 66 Theatre Company

CHOREOGRAPHY
David H. Bell - “The Boys from Syracuse” - Drury Lane Oakbrook

ORIGINAL INCIDENTAL MUSIC
Dominic Kanza - “Ruined” - Goodman Theatre and Manhattan Theatre Club

MUSIC DIRECTION
Doug Peck - “Caroline, or Change” - Court Theatre

NEW ADAPTATION - PLAY
Seth Bockley - “Jon” – Collaboraction

NEW WORK - PLAY
Lynn Nottage - “Ruined” - Goodman Theatre and Manhattan Theatre Club

NEW ADAPTATION - MUSICAL
Josh SchmidtJan Tranen and Austin Pendleton - “A Minister’s Wife” - Writers’ Theatre

SPECIAL EFFECTS
Steve Tolin - “The Lieutenant of Inishmore” - Northlight Theatre

VIDEO DESIGN
Mike Tutaj - “Tomorrow Morning” - Hillary A. Williams, LLC

TRIBUTE AWARD
The Second City - 50th Anniversary

SPECIAL AWARD
William Pullinsi - Director and Producer - Outstanding Achievement for 50 Years in Theatre

The view from the Evita table…

Thursday, June 11th, 2009

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Last Year’s Jeff Winner

Tuesday, June 9th, 2009

Well I went, I saw, I had a blast. I was definitely sitting at the right table. Theo Ubique took 7 jeffs last night. 6 of them were for Evita. It was a very positive and energetic event to be at, and I would like to extend my congratulations to all the winners! You can see the entire list of winners HERE

Tomorrow I’ll post pictures. I don’t have all of them yet. Today I’ve decided to post some highlights of last year’s Non-Equity Jeff winner, Jerry Springer: the Opera. You can thank Jeremy Rill for uploading them recently!

P.S. If you want to see me whoring it up check out the video called “Dwight” and to a lesser extent the video called “Chick with a Dick.” Oh yeah, you’re in for some fun. I bequeath them to you! (This is from the last performance of our extension.)

WARNING! IF FOUL LANGUAGE OFFENDS YOU FOR THE LOVE OF GOD DO NOT WATCH THESE CLIPS!!!!

YouTube Preview Image Opening Number

YouTube Preview Image “Have Yourselves a Good Time”

YouTube Preview Image “Dwight”

YouTube Preview Image “Chick with a Dick”

YouTube Preview Image “Montel’s Dirty Secret”

YouTube Preview Image “I Want to Sing Something Beautiful”

YouTube Preview Image “Firing of Jonathan Weirus”

YouTube Preview Image “Shawntel”

YouTube Preview Image “The Klan”

YouTube Preview Image “Baby Jane”

Some thoughts on the Tonys/Non-Equity Jeffs

Monday, June 8th, 2009

I admit it. I didn’t really watch the Tonys this year. I decided that cleaning my apartment was more important and for some reason didn’t put it on in the background. I did, however, watch most of it on youtube clips. I don’t really know what to say. That’s not MY Broadway. That isn’t the Broadway that I grew up dreaming about and aspiring to achieve one day. I understand that the producers of the show are trying to get a more diverse audience than just us theater nerds, but does it HAVE to remind me of an MTV awards show? There is a reason I stopped watching MTV. Because it’s crap. Because there is no substance.

Maybe I’m just getting older, or jaded, or my taste is changing, but I don’t think we need to dumb it down that much for America. Every once in a while America surprises us and reminds us that she isn’t that stupid. She can comprehend more then we give her credit for. That’s when great art is made. Truly great art is never following a trend. It always surprises us.

In this day and age with commercial theater becoming more and more like a concert and less and less like theater, I feel grateful for Chicago theater. After watching the performance of Hair last night, I feel grateful for the small production I saw by the now defunct Tonkawa Theater Company. It didn’t have the budget, cast size, or publicity of the production of Hair now performing on Broadway. What it DID have was authenticity, honesty, and simplicity. It was one of the most moving experiences I’ve had in theater and it was in a black box space.

n585250306_1146953_9522Tonkawa’s production of Hair

In reality, the shows that have moved me the most have been in small storefront non-equity theaters in Chicago…like the Jeff-nominated Evita for example. I’ve seen Evita on a big stage with a big budget a couple of times and it doesn’t hold a candle to the intimate, bare-bones telling that director Fred Anzevino crafted for us this summer. Or going back a few years, the PHENOMENAL production of Mother Courage that the Vitalist Theatre put up which remains one of the best pieces of art I’ve EVER seen.

motherThe ridiculously talented Anne Sheridan Smith in Vitalist Theatre’s Mother Courage.

Don’t get me wrong, there are definitely Equity shows I have enjoyed and that have moved me. I also plan to go Equity eventually and the CONS of being a non-equity actor could fill hundreds of blogs. Tonight however, is not about that. The Non-Equity Jeff Awards are about celebrating our non-equity efforts. Tonight is about the actors that work a full-time job and then go straight to rehearsal where they’re getting paid little to nothing. Why do they do this? Because they LOVE it. Tonight is about our love for what we do.

While we may agree or disagree with nominations and results, in the end it doesn’t really matter. This is our night to celebrate each other. Also, while the Non-Equity Jeffs might be low on the totem pole of award shows, we are the future of theater, and the future has never looked brighter. See you at the Jeffs!

I’ll let Chris Jones prove my point:

“The Joseph Jefferson Awards, non-Equity dept., will be handed out tonight at the Park West nighterie.

A very different part of the theatrical food-chain from last night’s Tony Awards? Perhaps.

Don’t look for Liza or Neil Patrick Harris.

But consider this. One of the shows up for tonight’s awards, David Cromer’s The Hypocrites production of “Our Town,” is not only now a huge Off-Broadway hit, but is a candidate for a Broadway transfer. And so, perchance, it could go from one ceremony to the other within twelve swift months.

So there’s one way to look at the Non-Equity Jeffs. The Tonys. A few years earlier.”

Go see some theater Ya’ll!

Saturday, May 9th, 2009

Things have been quiet around here! It’s because I’m moving! ACK! In the meantime here are some shows that you should check out! These are the shows now playing that my friends are in. Go support them!

PLAYING NOW:

play2874 Altar Boyz

Noble Fool Theater
4051 East Main St St. Charles

Broadway’s smash hit musical returns to Chicago! With angelic voices and divine dance moves, five small-town boys believe they’re destined by God to speak the Holy Spirit through hip-hop. This charming Christian boy-band (with one nice Jewish boy) will alter your mind and raise your spirits as they look for their big break in New York while saving souls along the way. Destined to rock the masses of all denominations!

Thru - Jul 12, 2009/Box Office: 630-584-6342/www.noblefool.org


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Crazy For You

Theatre At The Center
1040 Ridge Rd Munster

The high-energy musical Crazy for You features music by George Gershwin, lyrics by Ira Gershwin, and won three Tony Awards including Best Musical. The production features classic Gershwin songs such as “Embraceable You”, “Nice Work If You Can Get It”, “I Got Rhythm”, and “Someone to Watch Over Me.” In this show-stopping hit, a stage-struck son of a New York banking family is sent to Deadrock, Nevada to close down the local theater. But when he falls head over heels for the theater owner’s daughter, he finds himself putting on a top-notch production to save the theatre, but also to keep his dreams of romance alive.

Thru - Jun 14, 2009/Box Office: 219-836-3255/www.theatreatthecenter.com

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Curtains

Drury Lane- Oakbrook
100 Drury Lane Oakbrook Terrace

A “play within a play,” Curtains takes place at Boston’s Colonial Theatre in 1959. It’s the opening night of “Robbin’ Hood of the Old West” and new musical could be a smash hit, if it weren’t for the show’s incredibly untalented leading lady. When she is murdered during the curtain call, Lieutenant Frank Cioffi is summoned to conduct an investigation. The lure of the theater soon becomes irresistible to the stage-struck detective and he finds himself just as dedicated to making the show a hit as he to solving the murder.

Thru - May 17, 2009/Box Office: 630-530-0111/BUY TICKETS ONLINE

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Evita

No Exit Cafe
6970 N. Glenwood Chicago

Theo Ubique Theatre Co. presents its boldest work to date! Following the successes Jacques Brel’s Lonesome Losers of the Night, Belle Barth: If I Embarrass You, Tell Your Friends, and the Jeff Award-Winning production of Cabaret, Theo Ubique has fused its trademark “cabaret theatre” with the rock opera Evita by Andrew Lloyd Webber. We invite you to return to the poignant music and story of Eva Peron, seen through the eye of the revolutionary, Ché Guevara!

Thru - May 31, 2009/Box Office: 773-347-1109/ www.theoubique.org

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Hedda Gabler

Raven Theatre
6157 N. Clark St Chicago

Ibsen’s masterpiece depicts a woman’s inevitable road to tragedy. Hedda has recently married a kind and reliable yet unexciting scholar. She is visited by two old acquaintances: a female schoolmate and another scholar. The former has saved the latter from an unsavory lifestyle, helping him find success as a writer; Hedda is resentful both of his talent and her schoolmate’s influence on it. Out of jealousy and boredom, she proceeds to destroy each of the people around her, and finally herself. Is Hedda a heroine, a villain, a victim… or all of the above?

Thru - Jun 27, 2009/Box Office: 773-338-2177/www.raventheatre.com

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High School Musical

Marriott Theatre In Lincolnshire
10 Marriott Drive Lincolnshire

It began as a smash hit Disney movie. Then the soundtrack climbed to the top of the Billboard charts. Now Troy, Gabriella and the rest of East High are ready to sing and dance in this special hour long fun-tastic musical that captivates and entertains like only Disney can!

Thru - May 18, 2009/Box Office: 847-634-0200/www.marriotttheatre.com


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The History Boys

TimeLine Theatre Company
615 W. Wellington Ave Chicago

The recipient of more than 30 major awards, including Tony and Olivier awards for Best New Play, The History Boys follows a rambunctious group of clever young men as they pursue higher learning, games, sexual identity and a place at university under the guidance of three wildly different teachers and a headmaster obsessed with results. Set during the 1980s in northern England, it is a hilarious and provocative play about the anarchy of adolescence and the purpose of education — specifically, how history should be taught.

Thru - Aug 2, 2009/Box Office: 773-281-8463/www.timelinetheatre.com

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The Millionaire Farmer

CLOSES TOMORROW!

BoHo Theatre @ Heartland Studio
7016 North Glenwood Chicago

Cursed at birth, the fairy maiden Anna is banished to earth to be raised by a farmer. Only by marrying her true love – a poor fisher – by her eighteenth birthday can the curse be broken and Anna be reunited with her mother. But her adoptive father has come into a mysterious fortune and now refuses the match. With the deadline approaching, Anna discovers that she has the help of magical friends, and that there are wicked forces manipulating her father. Can Anna find Contentment and break the curse, or will she succumb to the awesome power of Greed and Hate?

Thru - May 10/Box Office: 773-276-0458/www.strangelooptheatre.org


3184_97538615538_697450538_2914594_5759477_n1Once On This Island

Theatre Building Chicago
1225 W Belmont Ave Chicago

Ti Mouna, a black peasant girl, rescues, nurses and falls in love with Daniel, a mulatto from a wealthy family. When Daniel is returned to his people, the island gods guide Ti Mouna on a quest to test the strength of her love against the forces of prejudice, hatred and death.

Runs through Jun 28/Box Office: 773-327-5252/BUY TICKETS ONLINE

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The Prime of Miss Jean Brodie

Chopin Theatre
1543 W. Division Chicago

Jean Brodie is in the business of putting old heads on young shoulders, and all of her pupils are the crème de le crème. The Brodie Set, as her students at the Marcia Blaine School for Girls are famously known, hang on Miss Brodie’s every word as she - with reckless abandon - dismisses the standard curriculum in favor of lessons in things that she most admires: subjects as wide-ranging as Giotto to Hitler to her own romances. When Ms. Brodie begins an affair with one teacher to distract from her affair with another, and a false love letter falls into the wrong hands, the headmistress puts Miss Brodie under review. Her           considerable bombast is the only thing that saves her job, until a fatal error in guidance  and the betrayal of her favorite student become more than Miss Jean Brodie can overcome…even in her prime.

Thru - May 16, 2009/Box Office: 773-278-1500/ www.signalensemble.com


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Red Noses

Strawdog Theatre
3829 N. Broadway Chicago

It’s the 1300s, and a quarter of Europe is dead from the plague, pestilence is everywhere, and humanity is convinced this is Armageddon. A priest receives a command from God to gather a group of believers, teach them and send them off into the world to be clowns among men.

Thru - May 23, 2009/Box Office: 773-528-9696/www.strawdog.org


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Rose and the Rime

CLOSES TONIGHT!!

Chopin Theatre
1543 W. Division Chicago

Originally developed by Nathan Allen with students at Hope College, Rose and the Rime was selected by the Kennedy Center American College Theatre Festival to perform at The Kennedy Center in Washington, DC on April 17, 2008. This nationally recognized new work will receive its first professional production at The House.

Thru - May 9, 2009/Box Office: 773-278-1500/

www.thehousetheatre.com


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Seussical The Musical

Drury Lane- Oakbrook
100 Drury Lane Oakbrook Terrace

Join the mischievous Cat in the Hat as he narrates the story of Horton the Elephant and his friends as they embark on a fanciful journey from the Jungle of Nool, through the mountains and across the ocean, to help a young girl named JoJo bring harmony back to the tiny planet of Who. Along the way, meet zany Dr. Seuss characters including the tiny Whos, harmonizing birds, a sour kangaroo, and some trouble-making monkeys!

Thru - May 16, 2009/Box Office: 630-530-011/BUY TICKETS ONLINE

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Tommy

Circle Theatre
7300 West Madison Street Forest Park

After witnessing a brutal crime, young Tommy is so traumatized that he is rendered mute. As his life meanders on in post World War II England, he suffers abuse from sadistic relatives and neighbors. Tommy’s life is saved, however, when he falls in love with pinball and achieves super stardom as a pinball wizard!

Runs throug July 19/Box Office: 708-771-0700/www.circle-theatre.org

EVITA, EVIIIIIIIIITA!

Friday, May 1st, 2009

If you know me at all you’ve probably heard me rave about Theo Ubique Theatre Co.’s work, specifically Fred Anzevino: the director of most shows and the Artistic Director of the company. Theo Ubique is housed in the tiny No Exit Cafe in Roger’s Park. Their shows are minimal, but incredibly rich. Fred never puts more on stage then what NEEDS to be there to tell the story.

Their current critically-acclaimed show, Andrew Lloyd Webber’s Evita, just garnered 7 jeff nominations and starts it’s theatrical extension this weekend! 

2379_82784486240_635286240_2645742_3016_nMaggie Portman acts the living crap out of the title role. She is phenomenal, both glamorous and earthy at the same time.

(Yes I DID just say the living crap.)

 

n635286240_2645740_7220Chris Damiano is fantastic as the revolutionary Che Guevara. His voice is gorgeous  and he certainly has charm to spare. This guy is oozing with talent.

 

2379_82784266240_635286240_2645731_2861_nJeremy Trager plays Juan Peron with such enviable strength, but it was his lovely and nuanced tender moments that kept me riveted.

Additionally, Michael Wheelwright is hilarious and spot on as Augustin Magaldi and you can’t take your eyes off of Jenny Lamb, whether she’s carrying a prop onstage or delivering the heart-wrenching “Another Suitcase in Another Hall” as the Mistress. 

Fred’s direction is superb, the choreography (Brenda Didier!) is genius, and the music sounds sensational. The other 5 ensemble members play everything from soldiers to aristocrats. They are outstanding and their voices are so full that you don’t miss the huge chorus that this show usually employs.

Have I convinced you yet? Can I stop gushing now?

Go see it!

 

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Music by Andrew Lloyd Webber
Lyrics by Tim Rice

Directed by Fred Anzevino
Music Direction by Ryan Brewster
Choreography by Brenda Didier
Costumes by Jill Van Brussel
Set Design by Nate Crawford
Light Design by David Heimann

EXTENSION: Performances run May 1 through May 31, 2009 - Friday through Saturdays at 8:00 pm, and Sundays at 7:00 pm. Each ticket is $30 (Does not include dinner or beverages)

DINNER PACKAGE: Pre-Show dinner of Argentine cuisine available and recommended for the full theater experience. Total price of each ticket is $54 (Includes service charge, dinner, tax, and show, but not beverages) 

GET TICKETS ONLINEhttp://www.theoubique.org/index.html

BOX OFFICE: 773.347.1109

 

This Evita is the theatrical equivalent of a coup d’etat.
- Hedy Weiss, Chicago Sun-Times (Highly Recommended)
Stirring, spirited, and accomplished.
- Chris Jones, The Chicago Tribune
A completely different yet no less brilliant way of looking at and hearing this musical masterpiece… an achievement on every level.
- Fabrizio O. Almeida, New City Magazine

Non-Equity Jeff Nominations

Tuesday, April 28th, 2009

CONGRATS TO ALL MY INSANELY TALENTED FRIENDS!!!

 
Published: Today
 

The Jeff Awards committee today announced 114 nominations in 24 categories for the non-Equity Jeff Awards. The awards honor excellence in Chicago’s non-union theaters for productions that opened between April 1, 2008, and March 31, 2009.

The Jeff Awards judged the opening nights of 130 productions offered by 57 non-Equity producing organizations and recommended 54 of them as eligible for Non-Equity Jeff Award nominations in all categories.

Top-nominated productions include Theo Ubique’s “Evita,” Lifeline Theatre’s world premiere adaptation of “Mariette in Ecstasy” and the House Theatre of Chicago’s “Rose and the Rime.”

The awards will be presented June 9 at a ceremony at the Park West, 322 W. Armitage. Tickets, $35 in advance, $40 at the door, include a cash bar and light buffet. Purchase tickets online at www.jeffawards.org. For more information, e-mail: nonequitywing@jeffawards.org.

Here is the complete list of this season’s nominees:

PRODUCTION — PLAY

“Enchanted April,” Circle Theatre

“In Arabia We’d All Be Kings,” Steep Theatre Company

“Mariette in Ecstasy,” Lifeline Theatre

“The Mark of Zorro,” Lifeline Theatre

“Our Town,” the Hypocrites

“Rose and the Rime,” House Theatre of Chicago

PRODUCTION — MUSICAL OR REVUE

“The Christmas Schooner,” Bailiwick Repertory Theatre

“Evita,” Theo Ubique Theatre Company in association with Michael James

“Jacques Brel’s Lonesome Losers of the Night,” Theo Ubique Theatre Company in association with Michael James

“The Robber Bridegroom,” Griffin Theatre Company

“Woody Guthrie’s American Song,” Blindfaith Theatre

DIRECTOR — PLAY

Nathan Allen, “Rose and the Rime” (House Theatre of Chicago)

David Cromer, “Our Town” (the Hypocrites)

Elise Kauzlaric, “Mariette in Ecstasy” (Lifeline Theatre)

Joanie Schultz , “In Arabia We’d All Be Kings” (Steep Theatre Company)

Rick Snyder, “Men of Tortuga” (Profiles Theatre)

DIRECTOR — MUSICAL OR REVUE

Fred Anzevino, “Evita” (Theo Ubique Theatre Company in association with Michael James)

Fred Anzevino, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)

Mary Beidler Gearen, “The Christmas Schooner” (Bailiwick Repertory Theatre)

Paul S. Holmquist, “The Robber Bridegroom” (Griffin Theatre Company)

Nicolas Minas, “Woody Guthrie’s American Song” (Blindfaith Theatre)

ENSEMBLE

“Evita,” Theo Ubique Theatre Company in association with Michael James)

“In Arabia We’d All Be Kings,” Steep Theatre Company

“Mariette in Ecstasy,” Lifeline Theatre

“Men of Tortuga,” Profiles Theatre

“Our Bad Magnet,” Mary-Arrchie Theatre Company

“Woody Guthrie’s American Song,” Blindfaith Theatre

ACTOR IN A PRINCIPAL ROLE — PLAY

Don Bender, “Old Times” (City Lit Theater Company)

Esteban Andres Cruz, “Jesus Hopped the ‘A’ Train” (Raven Theatre)

James Elly, “The Mark of Zorro” (Lifeline Theatre)

Ryan Jarosch, “Torch Song Trilogy” (Hubris Productions)

Brian Parry, “Shadowlands” (Redtwist Theatre)

Brian Plocharczyk, “After Ashley” (Stage Left Theatre)

Bradford Stevens, “Jesus Hopped the ‘A’ Train” (Raven Theatre)

ACTOR IN A PRINCIPAL ROLE — MUSICAL

Courtney Crouse, “Jekyll & Hyde: The Musical” (Bohemian Theatre Ensemble)

Chris Damiano, “Evita” (Theo Ubique Theatre Company in association with Michael James)

ACTRESS IN A PRINCIPAL ROLE — PLAY

Brenda Barrie, “Mariette in Ecstasy” (Lifeline Theatre)

Laura Coover, “Blue Surge” (Eclipse Theatre Company)

Cameron Feagin, “Private Lives” (City Lit Theater Company)

Nancy Freidrich, “The Dastardly Ficus and Other Comedic Tales of Woe and Misery” (The Strange Tree Group)

Betsy Zajko, “Beholder” (Trap Door Theatre)

ACTRESS IN A PRINCIPAL ROLE — MUSICAL

Laura McClain, “The Christmas Schooner” (Bailiwick Repertory Theatre)

Maggie Portman, “Evita” (Theo Ubique Theatre Company in association with Michael James)

Rachel Quinn, “Gentlemen Prefer Blondes” (Circle Theatre)

Bethany Thomas, “Belle Barth: If I Embarrass You Tell Your Friends” (Theo Ubique Theatre Company in association with Michael James)

SOLO PERFORMANCE

Janet Ulrich Brooks, “Golda’s Balcony” (Pegasus Players)

Alice Wedoff , “The Shape of a Girl” (Pegasus Players)

ACTOR IN A SUPPORTING ROLE — PLAY

Paul S. Holmquist, “The Picture of Dorian Gray” (Lifeline Theatre)

Matthew Sherbach, “The Further Adventures of Hedda Gabler” (Dog & Pony Theatre Company)

Kevin V. Smith, “Our Bad Magnet” (Mary-Arrchie Theatre Company)

Madrid St. Angelo, “A Passage to India” (Premiere Theatre & Performance in association withVitalist Theatre)

Jon Steinhagen, “Plaza Suite” (Eclipse Theatre Company)

Nathaniel Swift, “Blue Surge” (Eclipse Theatre Company)

ACTOR IN A SUPPORTING ROLE — MUSICAL

Chris Damiano, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)

Chris Froseth, “Woody Guthrie’s American Song” (Blindfaith Theatre)

Jim Sherman, “The Christmas Schooner” (Bailiwick Repertory Theatre)

ACTRESS IN A SUPPORTING ROLE — PLAY

Susan Veronika Adler, “Torch Song Trilogy” (Hubris Productions)

Jeannette Blackwell, “The Further Adventures of Hedda Gabler” (Dog & Pony Theatre Company)

Nora Fiffer, “The Autumn Garden” (Eclipse Theatre Company)

Mary Hollis Inboden, “Torch Song Trilogy” (Hubris Productions)

Elise Kauzlaric, “On the Shore of the Wide World” (Griffin Theatre Company)

Lily Mojekwu, “Greensboro: A Requiem” (Steep Theatre Company)

Rinska Prestinary, “In Arabia We’d All Be Kings” (Steep Theatre Company)

Mary Redmon, “Enchanted April” (Circle Theatre)

ACTRESS IN A SUPPORTING ROLE — MUSICAL OR REVUE

Amanda Hartley, “The Robber Bridegroom” (Griffin Theatre Company)

NEW WORK

Tony Fiorentino, “All My Love” (Diamante Productions)

Robert Koon, “Odin’s Horse” (Infamous Commonwealth Theatre)

Frank Maugeri & Seth Bockley, “Boneyard Prayer” (Redmoon Theater)

Andrew Park, “The People’s History of the United States” (Quest Theatre Ensemble)

Ken Prestininzi, “Beholder” (Trap Door Theatre)

NEW ADAPTATION

Fred Anzevino, Arnold Johnston & Joshua Stephen Karte, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)

Cristina Calvit, “Mariette in Ecstasy” (Lifeline Theatre)

Robert Kauzlaric, “The Picture of Dorian Gray” (Lifeline Theatre)

William Massolia, “Be More Chill” (Griffin Theatre Company)

Terry McCabe, “Scoundrel Time” — City Lit Theater Company

Katie McLean — “The Mark of Zorro” — Lifeline Theatre

CHOREOGRAPHY

Kevin Bellie — “Gentlemen Prefer Blondes” — Circle Theatre

Brenda Didier — “Evita” — Theo Ubique Theatre Company in association withMichael James

Tommy Rapley — “Rose and the Rime” — House Theatre of Chicago

ORIGINAL INCIDENTAL

MUSIC

Lara Golan, “Dr. Egg and the Man With No Ear” (Redmoon Theater)

Charles Kim & Seth Bockley, “Boneyard Prayer” (Redmoon Theater)

Kevin O’Donnell, “Rose and the Rime” (The House Theatre of Chicago)

MUSIC DIRECTION

Ryan Brewster, “Evita” (Theo Ubique Theatre Company in association with Michael James)

Mark Elliott, “The Robber Bridegroom” (Griffin Theatre Company)

Joshua Stephen Kartes, “Jacques Brel’s Lonesome Losers of the Night” (Theo Ubique Theatre Company in association with Michael James)

Jeremy Ramey, “The Christmas Schooner” (Bailiwick Repertory Theatre)

Shaun Whitley, “Woody Guthrie’s American Song” (Blindfaith Theatre)

SCENIC DESIGN

Alan Donahue, “Mariette in Ecstasy” (Lifeline Theatre)

Anders Jacobson, “Red Angel” (LiveWire Chicago Theatre)

Bob Knuth, “Enchanted April” (Circle Theatre)

Bob Knuth, “Hay Fever” (Circle Theatre)

Richard & Jacqueline Penrod, “The Shape of a Girl” (Pegasus Players)

Emily Schwartz & Kate Nawrocki, “The Dastardly Ficus and Other Comedic Tales of Woe and Misery” (The Strange Tree Group)

LIGHTING DESIGN

John Horan, “Dr. Egg and the Man With No Ear” (Redmoon Theater)

Denise Karczewski, “Golda’s Balcony” (Pegasus Players)

Lee Keenan, “Rose and the Rime” (House Theatre of Chicago)

Jared B. Moore, “Touch” (New Leaf Theatre)

COSTUME DESIGN

Debbie Baer, “Rose and the Rime” (House Theatre of Chicago)

Michelle Julazadeh, “Jekyll & Hyde: The Musical” (Bohemian Theatre Ensemble)

Suzanne Mann, “Hay Fever” (Circle Theatre)

Suzanne Mann, “Enchanted April” (Circle Theatre)

John Nasca, “Die! Mommie Die!” (Hell in a Handbag Productions)

Jesus Perez, “Gentlemen Prefer Blondes” (Circle Theatre)

SOUND DESIGN

Victoria DeIorio, “The Mark of Zorro” (Lifeline Theatre)

Mikhail Fiksel, “Winter Pageant Redux” (Redmoon Theater)

Tim Hill, “Mariette in Ecstasy” (Lifeline Theatre)

Joshua Horvath, “Rose and the Rime” (House Theatre of Chicago)

Nick Keenan, “Touch” (New Leaf Theatre)

Stephen Ptacek, “God’s Ear” (Dog & Pony Theatre Company)

ARTISTIC SPECIALIZATION

Mask Design — Amanda Church, “The People’s History of the United States” (Quest Theatre Ensemble)

Animation — Jamie Clennett, “Dr. Egg and the Man with No Ear” (Redmoon Theater)

Fight Choreography — Geoff Coates, “The Mark of Zorro” (Lifeline Theatre)

Puppets– Graeme Davis, “Dr. Egg and the Man with No Ear” (Redmoon Theater)

Puppets — Jesse Mooney Bullock, (”Boneyard Prayer”) Redmoon Theater