Thank you David Zak!

October 22nd, 2009

me_67280_2009-08-28-09-18-11359David Zak, contributer and reviewer for the Chicago Theater Examiner posted a little article about one of my embarrassing stage moments. We all know how much I LOVE to tell you all embarrassing stories about myself, so click HERE to read it.

On a personal note, I have so much more to thank David for. He was the first director to cast me when I was fresh out of college without a single professional credit on my resume. He was the first director to cast me as a lead very shortly after in the American premiere of Jerry Springer: the Opera. He then gave me a one-woman show when he trusted me with the telling of Tell Me On A Sunday. He has trusted and supported me even more than I’ve trusted myself.

David is never afraid to take a casting risk. He knows talent. He knows what will work. There is a reason that so many successful actors in this city had their start at Bailiwick Repertory where David was Artistic Director. He’s not afraid to give an actor their start and he’s also a damn good director. For this and so many other things, I thank you David Zak and many others should too. Now…don’t blush. Take a little bow.

Can’t wait until we work together again.

Love Harmony

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

Jerry Springer: The Opera, Non-Equity Jeff Award: Best Musical

Congrats Jeff Winners!

October 20th, 2009

Okay I know I’ve neglected the blog. I’ve been busy. There are many new shows and projects to tell you about. I’ll try to do that soon.

In the meantime here is the full list of Equity Jeff Winners!!!

PRODUCTION - PLAY - LARGE (Tie)

“Ruined” - Goodman Theatre and Manhattan Theatre Club
“The Seafarer” - Steppenwolf Theatre Company

PRODUCTION - PLAY - MIDSIZE
“The History Boys” - TimeLine Theatre Company

PRODUCTION - MUSICAL - LARGE
“Caroline, or Change” - Court Theatre

PRODUCTION - MUSICAL - MIDSIZE
“Tomorrow Morning” - Hillary A. Williams, LLC

PRODUCTION - REVUE
“Studs Terkel’s Not Working” - The Second City e.t.c.

ENSEMBLE
“The History Boys” - TimeLine Theatre Company

DIRECTOR - PLAY
Nick Bowling - “The History Boys” - TimeLine Theatre Company

DIRECTOR - MUSICAL
Charles Newell - “Caroline, or Change” - Court Theatre

DIRECTOR - REVUE
Matt Hovde - “Studs Terkel’s Not Working” - The Second City e.t.c.

SOLO PERFORMANCE
Max McLean - “Mark’s Gospel” - Fellowship for the Performing Arts

ACTOR IN A PRINCIPAL ROLE - PLAY (Tie)
William L. Petersen - “Blackbird” - Victory Gardens Theater
Larry Neumann, Jr. - “A Moon for the Misbegotten” - First Folio Theatre

ACTOR IN A PRINCIPAL ROLE - MUSICAL
Joseph Anthony Foronda - “Miss Saigon” - Drury Lane Oakbrook

ACTRESS IN A PRINCIPAL ROLE - PLAY
Saidah Arrika Ekulona - “Ruined” - Goodman Theatre and Manhattan Theatre Club

ACTRESS IN A PRINCIPAL ROLE - MUSICAL
E. Faye Butler - “Caroline, or Change” - Court Theatre

ACTOR IN A SUPPORTING ROLE - PLAY
Alex Weisman - “The History Boys” - TimeLine Theatre Company

ACTOR IN A SUPPORTING ROLE - MUSICAL
Max Quinlan - “The Light in the Piazza” - Marriott Theatre

ACTRESS IN A SUPPORTING ROLE - PLAY
Spencer Kayden - “Don’t Dress for Dinner” - The British Stage Company

ACTRESS IN A SUPPORTING ROLE - MUSICAL (Tie)
Liz Baltes - “A Minister’s Wife”- Writers’ Theatre
Summer Smart - “The Light in the Piazza” - Marriott Theatre

ACTOR IN A REVUE
Mark David Kaplan - “Forbidden Broadway” - John Freedson, Harriet Yellin, Margaret Cotter

ACTRESS IN A REVUE
Amanda Blake Davis - “Studs Terkel’s Not Working” - The Second City e.t.c.

SCENIC DESIGN - LARGE
Lucy Osborne - “Twelfth Night” - Chicago Shakespeare Theater

SCENIC DESIGN - MIDSIZE
Brian Sidney Bembridge - “The History Boys” - TimeLine Theatre Company

COSTUME DESIGN - LARGE
Mara Blumenfeld - “The Arabian Nights” - Lookingglass Theatre Company

COSTUME DESIGN - MIDSIZE
Rachel Laritz - “The Voysey Inheritance” - Remy Bumppo Theatre Company

LIGHTING DESIGN - LARGE
Christopher Akerlind – “Rock ‘n’ Roll” - Goodman Theatre

LIGHTING DESIGN - MIDSIZE
Jesse Klug - “Hedwig and the Angry Inch” - American Theater Company

SOUND DESIGN - LARGE
Ray Nardelli and Joshua Horvath - “Miss Saigon” - Drury Lane Oakbrook

SOUND DESIGN - MIDSIZE
Lindsay Jones - “The K of D: An Urban Legend” - The Route 66 Theatre Company

CHOREOGRAPHY
David H. Bell - “The Boys from Syracuse” - Drury Lane Oakbrook

ORIGINAL INCIDENTAL MUSIC
Dominic Kanza - “Ruined” - Goodman Theatre and Manhattan Theatre Club

MUSIC DIRECTION
Doug Peck - “Caroline, or Change” - Court Theatre

NEW ADAPTATION - PLAY
Seth Bockley - “Jon” – Collaboraction

NEW WORK - PLAY
Lynn Nottage - “Ruined” - Goodman Theatre and Manhattan Theatre Club

NEW ADAPTATION - MUSICAL
Josh SchmidtJan Tranen and Austin Pendleton - “A Minister’s Wife” - Writers’ Theatre

SPECIAL EFFECTS
Steve Tolin - “The Lieutenant of Inishmore” - Northlight Theatre

VIDEO DESIGN
Mike Tutaj - “Tomorrow Morning” - Hillary A. Williams, LLC

TRIBUTE AWARD
The Second City - 50th Anniversary

SPECIAL AWARD
William Pullinsi - Director and Producer - Outstanding Achievement for 50 Years in Theatre

Some Basics

September 7th, 2009

First the disclaimer: I am not an expert on anything. I am a non-equity actor who just went EMC and is at the beginning of my career. However, since I have a blog about being an actor I get a lot of questions about how to get started, where to find auditions, how to stick with it, etc. All I can offer is my own experience, so take it or leave it, but if I can help anyone I’m happy to. So from time to time I’ll answer the questions. Also keep in mind that this is for actors in Chicago.

dear harmony,

I have no idea how to even get started auditioning in the real world. its so overwhelming… headshots($$$), resumes(mine is not very impressive), and material(which i don’t have), OH MY! Do you have any advice for me. i’m feeling a little lost and if anyone knows her way around when it comes to theatre, its you….

love always,
jessica

Hey Jessica! Don’t feel intimidated. I feel that way all the time. ALL the time. Seriously. I don’t think there is any actor that has it all figured out. We just pretend to from time to time. I’m certainly no expert. But of course I will share with you what I’ve learned.

1)Okay for headshots I suggest http://www.brandondahlquist.com/
or
http://www.ccosentino.com/ccosentino/Welcome.html

They’re going to be cheaper than the big dogs…but the quality is really great. Chris did my last round of shots and I’ve been admiring Brandon’s work for some time.

2)Don’t worry about not having an impressive resume. There’s nothing you can do about that. Just get out there. Start auditioning for anything and everything. Get your face out there. They will start to recognize you at auditions after a while. Make sure you’re prepared and professional at the auditions and callbacks. The biggest tip I can give you is not to give up! If it’s what you want to do then keep working at it. Take classes, read plays, see as much theater as you can…work on your craft!

3)For audition notices I go to:

http://www.performink.com (there is a fee)
http://www.chicagoplays.com (under the industry tab)
http://www.actorsequity.org (for equity auditions)
http://www.theatreinchicago.com (audition button at the bottom of the left column)

4)As far as sheet music goes, I get most of the new songs I want at the library or off the internet. Just google what song you want. It’s usually under $3. Also now that we have youtube you can look up a song and listen to how it goes before callbacks and such. Although you have to sift through all of the awful High School performances first. Monologues are trickier. I try to read a lot of plays. I look for good monologues in the plays that I feel the most connection with.

Anyway, that’s all for now. Good luck!

Love Harmony

P.S. If anyone has any questions for me feel free to email me. :-)

The Scoop on Harmony

September 1st, 2009

I’ve been neglecting my blog! I’ve been so busy though. I closed Cousins Grimm two weekends ago and actually ended up going on for three performances of Bombs Away. I had so much fun it was almost criminal. I was up there with some of my best friends, and we basically had a party on stage.

There is something so extremely exhilarating (yet terrifying)  about having to perform with little to no notice. In the Bombs Away situation I had about a week to get ready. For those not familiar with Bombs Away, it was a Forbidden Broadway type cabaret (spoof on musicals) where all the cast members were on stage for pretty much the entire show.  It was so satisfying to challenge myself in that way, especially when I feel like I succeeded. I haven’t felt that alive on stage in a long time. There is just something about stepping in to a show you haven’t quite mastered that is extremely satisfying. You have to trust yourself completely. There is no time for doubts. The things you discover in this type of situation is remarkable. The spontaneity is delicious. You really are living IN the moment. It was gloriously fun and I’m proud of myself.

Now, I’m not suggesting to people that they don’t prepare fully for their shows. PREPARE FOR YOUR SHOWS! But if for some reason you are put into a situation where you have to be performance ready in very little time don’t freak out! You can do it and you can do it well. Just remember to do it in increments. Even with a short period of time you have to let your brain rest and marinate. I worked on it for about 6 hours a day for 3 days. I would do a session for three hours, take an hour break (this is VERY important) and then work for three more hours. After that I would leave it completely for the day. It’s important for your brain to have that time to soak it in.  Before each show I took about a half hour to walk through my track in a speed through. Also, it’s a time of high stress so make sure you eat well, drink lots of water, and get plenty of sleep to avoid getting sick. I’m sure this is common sense to most, but if I can help someone I’m happy to.

After closing those two shows I went right into rehearsal the very next day for The Man of La Mancha at Theatre at the Center. I’m covering Antonia and the Housekeeper. I’m having a wonderful time. It’s such a fantastic group of people. This is my first Equity show and I’m soaking in as much as I can. I love watching the theater veterans in the show. Their experience is so vast and their performances look effortless. It’s also such a beautiful show. It’s so moving. Jim Harms (Don Quixote), Ericka Mac (Aldonza), and Joe Tokarz (Padre) break my heart in the finale every single day. I feel really blessed to be part of this production.

My other tidbit of news is that I’ve been cast as Lou Ellen in City Lit’s May production of Jerome Kern’s Oh Boy. I’m so excited. This show re-unites me with director Sheldon Patinkin who is one of my mentors and legendary in his own right. I am also doing the show with the ridiculously beautiful and talented Jenny Grubb. We’re the female leads. This will be my fourth show with her! We’re very excited.

That’s it for now. Happy fall everyone!

Love Harmony

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Alone Time

August 14th, 2009

I think alone time is so important for an artist. Many of us are very gregarious by nature and crave attention and companionship. That’s part of a performer’s personality. The other part is very private. The best actors I’ve seen are the ones that give a part of themselves in a performance. The only way to be truly open to that is to know yourself, and the best way to get to know yourself is to spend time with yourself.

My fantasy life is so important. I know it can be detrimental to me sometimes…but it’s also necessary for my survival. I need my time to stew, to ponder, to pout, to bask, to fume, to dream, to cry, to scheme, to marinate, to whisper my most secret and dearest wishes to myself.  I get so wrapped up in rules and technique and critiquing myself within an inch of my life that I forget to MAKE BELIEVE. All of that work and craft has to come from a passionate and open soul or no one will care.

I am so happy that after a long time of my roommate and I living on top of each other, we’re both going to have our own space. I think it’s essential for me and I’m so happy that this little dream of mine is about to come to fruition. I will have my own space to rehearse, read, dream, and yes BLOG in. :)

Sorry for a little bit of actor psycho babble…and for talking about my apartment yet again…and that I might not be making sense.

Have sweet dreams my fellow travelers of this path,
Harmony

Tons of Inspiration and some FUNNY.

August 7th, 2009

It’s Almost Time!

August 4th, 2009

So there is this whole spiel that I told in my cabaret about how I discovered theater. The short version is my Grandma took me to see Les Miserables on Broadway on my fourteenth birthday. That was it. I was bitten. That is exactly what I wanted to do. I wanted to sing depressing belt ballads…hysterical.

My first opportunity to show off my voice (that popped out from nowhere) was a Phantom of the Opera concert. I was playing Christine along with 3 other girls! I got to sing “Think of me” as a trio with my best friend Lisa Hobson, and my biggest high school crush Christopher Robin Burgess.

I wore a gorgeous green velvet ball gown. I wore my hair up and cleverly disguised the bald patches that came from a disastrous home perm with jeweled barrettes and green feathers. I forgot to bring the appropriate shoes, so I went barefoot. I took my place on stage. I was singing the second verse, Lisa the first. I could hear her pretty voice. She was nearing the end of her verse.

Erik (my second biggest high school crush) turned to me and said “It’s almost time.” Without looking at him I murmured “I know.” I had this odd sense of calm. I floated out to my spot and sang my verse. I was so happy and sure of myself. Even with bald spots, bare feet, and it being my first solo of my life, I was fearless. I didn’t know squat about supporting or breathing or intentions or objectives or body language or focus points or love or loss or ANYTHING.

All I knew was that I was home. I was happier in that moment than I had been in my life up until that point. I felt lucky and grateful to be on stage that night.

I would like to ask the theater Gods to give me just a touch of the pure joy that I felt that night from time to time. That’s why we do this.

All my love and wishes,

Harmony

5 Reasons you better come see Cousins Grimm

July 11th, 2009

3709743155_2043e2717cIf you don’t come, Mimmy might smile at you some more.

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3710543464_b1ca7f1139If you don’t come, you too, will grow a uni-brow like Margita.

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3710543952_debed04c36If you don’t come, Trinity will come after yo ass.

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3710544976_784f3f4a6eIf you don’t come, Werner will follow you around and look at you like this all day.

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3710563712_7031211d54If you don’t come, the show will be canceled and I’ll be left to my own devices. THIS is what happens when I’m left to my own devices. Please save me from myself.

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Thank you much,

Harmony (the actress with a clear case of multiple personality disorder)

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THE COUSINS GRIMM previews Friday and Saturday, July 10 and 11 at 8:00 ($15) and opens Sunday, July 12 at 6:00. ($25). Regular performances are Thursday and Saturday at 8:00, and Sunday at 2:00 till August 23. Tickets are $25 Thursdays and Sundays, and $30 Saturday.

Center on Halsted: Hoover-Leppen Theatre

3656 North Halsted

To order tickets performances, call the Bailiwick voicemail 773 883 1090. Tickets can also be purchased at www.Brownpapertickets.com, or by calling 1800 838 3006.

I never dreamed you’d leave in Summer…

July 8th, 2009

I promise this is my last Michael Jackson post. I watched the memorial. I thought moments of it were beautiful and touching and that other moments were a little much. I’d like to share my favorite moment from the whole she-bang. Stevie Wonder not only still has it, but seems to have gotten better with age. This is just an amazing tribute and ranks up there for me with Candle in the Wind as far as tribute songs go. I’ll stop blabbing. Please enjoy the sheer brilliance of an insanely talented man mourning his friend.

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Cousins Grimm/Pride Parade

July 6th, 2009

One of the more tedious things an actor must go through in super-stardom is public appearances and show promotions. I had one such commitment a couple weekends ago.

4956_1164615802574_1443246852_30449872_4944210_nWhere are my handlers to fan me with Palm Fronds and feed me grapes?

What!?!?!

There are no handlers for this event! Do you KNOW WHO I AM!??!

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4956_1164615882576_1443246852_30449874_4016689_n“Can we smoke? Can the adults please smoke?!?”

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4956_1164654603544_1443246852_30450060_2220377_nWe’re always asked the same questions at these events:

1)”What do you do to get into character?” I meditate for 3 hours in the downward dog position and do a shot of wheatgrass juice.

2)”How is your show relevant in today’s political atmosphere?” Our show is about love. Love is love man. No one should tell anyone else who to love man. Make love not war. Love is love.

And at this particular event there was a third request repeated over and over.

3)”Show us your boobs!” Excuse me? How dare you!!??!?! I’m an artist not some hussy!!

5064_580292093317_48602736_33892355_1512189_nummmmm…..I categorically deny this photograph. It never happened. I’m being framed I tell you! You’ll have to speak to my publicist about this one. His name is Eric Martin and his number is 773-555-1212.

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P.S. I do apologize for this post. I’m in tech(hell) week and I’ve lost what’s left of my feeble mind. Do forgive me.

Love Harmonique Francious

P.S.S If you think this post is crazy, come see me in my show opening on Sunday. You’ll see me be a real lunatic, and wear a fatsuit, and there’s girl on girl action, and male nudity. What more do you need really?

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